To The Aotg.com Community,

It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.

Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.

We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.

Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.

Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.

I look forward to seeing everyone at the various post events worldwide in the coming years!

Yours truly,
Gordon Burkell
Aotg.com Founder

Avid Eucon 2020.1 Bug Fix Software Released - Coul

February 14, 2020, 01:39 PM

https://www.pro-tools-expert.com/home-page/2020/2/...

Avid has announced that the EUCON 2020.1 software update is now available for download, designed to bring improvements and fixes to the Avid S1 and Avid Control app, as well as bug fixes for other surfaces like the S3, S4, S6 and the Dock.

Learn Scratch – Part 3 Outputting Continued and

February 12, 2020, 01:16 PM

https://www.provideocoalition.com/outputting_color...

I always find that rendering/exporting/outputting out of any application to be very hit and miss.  Obviously, the less options there are, the easier it is, however, in the case of...

The Colonie Adds Colorist Jennifer Gaida To Head I

February 8, 2020, 05:50 PM

https://www.broadcastbeat.com/the-colonie-adds-col...

Continuing to Expand the Scope of its Capabilities, The Editorial, Design, Post Production Company Caps off the Year with the Hiring of Gaida and the Addition of a New Color Grading Division Helmed by The Experienced Colorist   The Colonie continues to grow its roster of talent and services with the addition of Colorist Jennifer ... The post The Colonie Adds Colorist Jennifer Gaida To Head Its New Color Grading Department appeared first on NAB Show News | 2020 NAB Show Media Partner and Pr...

How to do basic grading: Secondary colour correcti

February 3, 2020, 01:27 PM

https://www.redsharknews.com/tutorials/item/6950-h...

Our previous article showed the basics of creating a primary colour correction and why primary colour correction is essential for an outstanding final grade. Our next step is to apply secondary colour correction. Secondary colour correction is essentially the selection and changing of a single colour within the picture without altering anything else or disturbing the general look we want to create.  Colour CorrectionColour GradingDavinci ResolveBlake Jones

SGO’s brand new Mistika Workflows now with impro

January 30, 2020, 02:03 PM

https://www.sgo.es/mwf-upgraded-open-beta/

SGO has released an upgraded Open Beta of its first media management, transcoding and delivery application Mistika Workflows. This latest version introduces a brand new and user-friendly License Activation Tool together with other additional nodes, features and stability improvements throughout the software. The totally revised License Activation Tool brings to its users straightforward license management [...]

Colorist Chat: Light Iron supervising colorist Ian

January 30, 2020, 01:58 PM

https://postperspective.com/colorist-chat-light-ir...

“As colorists, we are not just responsible for enhancing each individual shot based on the vision of the filmmakers, but also for helping to visually construct an emotional arc over time.” NAME: Ian Vertovec TITLE: Supervising Colorist COMPANY: Light Iron CAN YOU DESCRIBE YOUR ROLE IN THE COMPANY? Continue reading → January 27, 2020 The post Colorist Chat: Light Iron supervising colorist Ian Vertovec appeared first on postPerspective.

ICA Vlog Ep01 Madrid, Spain

January 17, 2020, 02:12 PM

https://icolorist.com/2020/01/16/ica-vlog-ep01-mad...

Travelling to different locations to run ICA classes is something I really enjoy. I feel that as a colorist you benefit from your experiences. You can inject your visions into your color sessions.

Can you really use a $1000 monitor for professiona

January 16, 2020, 07:27 PM

https://www.redsharknews.com/post/item/6919-can-yo...

The democratisation of technology continues unabated, and one area in which this is becoming most noticeable is when it comes to affordable colour accurate monitors. Last year we interviewed colourist Andrea Vassalini about how he uses the Asus ProArt monitors, and how he thinks they empower producers on lower budgets.

Camera Hire Heavily Investing In CiNX From Miller

January 14, 2020, 03:56 PM

https://www.aotg.com/camera-hire-heavily-investing-in-cinx-from-miller/

Purchase Includes 10 CiNX 3 Fluid Heads and 10 Sprinter II 2 Stage Carbon Fibre Tripods, Providing Customers With Reliable Camera Support Solutions

#camera#photography#miller tripods
Advanced Colour Grading in Final Cut Pro X With Co

January 6, 2020, 01:34 AM

http://www.fcp.co/final-cut-pro/articles/2234-adva...

We all know FCPX now has colour wheels and curves, but what about doing more advanced colour corrections? How about a plugin that can track masks, use ACES colour spaces and add film grain? Oliver Peters takes a look a the new Colour Finale 2.

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