To The Aotg.com Community,

It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.

Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.

We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.

Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.

Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.

I look forward to seeing everyone at the various post events worldwide in the coming years!

Yours truly,
Gordon Burkell
Aotg.com Founder

Veteran colorist Kevin Michael Kirwan operating ne

November 21, 2019, 02:26 PM

http://www.postmagazine.com/Press-Center/Daily-New...

HOLLYWOOD — Veteran colorist Kevin Michael Kirwan has joined Periscope Post & Audio (periscopepa.com). Kirwan brings more than 20 years of experience as a senior colorist and credits on more than 40 television series, including American Crime Story and American Horror Story. At Periscope, he will perform final color out of an all-new grading suite at the Hollywood studio, which launched earlier this year.

SGO and Canon present an exciting line-up of top I

November 20, 2019, 01:50 PM

https://www.sgo.es/3d-day-2/

SPANISH BELOW! This year’s SGO 3D Day presented in partnership with Canon will again take place in Madrid on Tuesday 3rd December 2019. Reserve your spot now by clicking on the button below! The 24th edition of SGO 3D Day will take off with two Professional Sessions starting at 6pm in the Film [...]

Madrid’s Pigmento Color Grading Switches to Reso

November 20, 2019, 01:49 PM

https://www.studiodaily.com/2019/11/madrids-pigmen...

Blackmagic Design claimed a new win for DaVinci Resolve as Madrid’s Pigmento Color Grading said it has adopted Resolve Studio as part of an upgrade emphasizing HDR grading and IMF delivery. Pigmento Color Grading Suites Workstation CPUs Intel Dual Xeon SuperMicro processors Workstation Graphics Nvidia Tesla K80 Nvidia RTX2080ti Reference Monitors Sony BVM-HX310 Dolby PRM […] The post Madrid’s Pigmento Color Grading Switches to Resolve appeared first on Studio Daily.

Dalet Cube NG Powers Teleticino and IB3 Graphics

November 19, 2019, 09:49 PM

https://www.aotg.com/dalet-cube-ng-powers-teleticino-and-ib3-graphics/

Premium digital graphics solution up-levels visual impact for fast-paced news production and delivery workflows; easy upgrade path for Dalet Galaxy five customers

#dalet#teleticino#ib3#dalet cube ng
Harbor crafts color and sound for The Lighthouse

November 7, 2019, 01:58 PM

https://postperspective.com/harbor-crafts-color-an...

By Jennifer Walden Director Robert Eggers’s The Lighthouse tells the tale of two lighthouse keepers, Thomas Wake (Willem Dafoe) and Ephraim Winslow (Robert Pattinson), who lose their minds while isolated on a small rocky island, battered by storms, plagued by seagulls and haunted by supernatural forces/delusion-inducing conditions. It’s an A24 film and hit theaters in late October. Continue reading → November 5, 2019 The post Harbor crafts color and sound for The Lighthouse appeared...

Color Chat: Light Iron’s Corinne Bogdanowicz

October 31, 2019, 12:49 PM

https://postperspective.com/color-chat-light-irons...

Corinne Bogdanowicz colorist at Light Iron, joined the post house in 2010 after working as a colorist and digital compositor for Post Logic/Prime Focus, Pacific Title and DreamWorks Animation. Bogdanowicz, who comes from a family of colorists/color scientists (sister and father), has an impressive credit list, including the features 42, Flight, Hell or High Water, Continue reading → October 30, 2019 The post Color Chat: Light Iron’s Corinne Bogdanowicz appeared first on postPerspe...

VFX house Blacksmith now offering color grading, a

October 30, 2019, 01:15 PM

https://postperspective.com/vfx-house-blacksmith-n...

New York-based visual effects studio Blacksmith has added colorist Mikey Pehanich to its team. With this new addition, Blacksmith expands its capabilities to now offer color grading in addition to VFX. Pehanich has worked on projects for high-profile brands including Amazon, Samsung, Prada, Nike, New Balance, Marriott and Carhartt. Most recently, Continue reading → October 28, 2019 The post VFX house Blacksmith now offering color grading, adds Mikey Pehanich appeared first on postPerspe...

They Shall Not Grow Old documentary film to receiv

October 26, 2019, 01:01 PM

https://www.provideocoalition.com/they-shall-not-g...

The Hollywood Professional Association (HPA) announced They Shall Not Grow Old as the recipient of an HPA Award honoring sophisticated restoration and the crafting of a deeply moving story. The... The post They Shall Not Grow Old documentary film to receive 2019 HPA Award appeared first on ProVideo Coalition.

Create Your Own Movie Color Chart With Blender

October 23, 2019, 01:08 PM

https://lesterbanks.com/2019/10/create-your-own-mo...

CG Matter shows how you can easily create a color chart from any movie footage. We’ve all most likely seen the color charts derived from all the shots in a film. It makes for a

Glowing Results: Grading Skin Tones in Resolve

October 22, 2019, 01:10 PM

https://www.premiumbeat.com/blog/grading-skin-tone...

First, you need to isolate the skin with a selection so you can work with it without affecting the rest of the image. Then, you can even out the skin, unifying the tone so it’s a universal color, without making the person look like they’re wearing too much foundation. Next, decrease the mid-tone density so that small imperfections disappear. Finally, add a layer mixer node so that the skin color you’ve just worked on is protected from other grades you might make. Let’s look at them in tu...

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