It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
November 15, 2018, 06:03 AM
https://www.artofvfx.com/oblivion-vfx-breakdown-by...
I love when the #TBT brings you great materials such as this really cool VFX Breakdown by Digital Domain about their work on OBLIVION...
November 14, 2018, 07:32 AM
https://www.vulture.com/2018/11/the-man-behind-the...
If you watch the end credits of the Coen brothers’ The Ballad of Buster Scruggs carefully, one credit pops out: “Gunslinger — Joey Rocketshoes Dillon.” It’s not hard to guess that “gunslinger” is a jokey credit for gun trainer, but you might be surprised to learn that “Rocketshoes” is not a nickname: Dillon legally changed his middle name after a teen stunt that involved tying tiny rockets to his legs to run faster. A self-described “freak Western enthusiast” and quick-draw...
November 13, 2018, 10:57 AM
https://deadline.com/2018/11/amc-international-pro...
AMC Networks International has made a number of executive promotions following the appointment of Eduardo Zulueta as President. Manuel Balsera has been named EVP & MD for AMCNI Southern Europe; Ricardo Debén has been named EVP/MD for AMCNI Latin America; Kevin Dickie has been named EVP/MD for AMCNI UK and Levente Málnay has been named EVP/MD for AMCNI Central and Northern Europe.
November 13, 2018, 07:18 AM
https://www.allanmckay.com/167/
This is Allan McKay. Welcome to Episode 167! I’m speaking with Rory McGregor, the CEO of Cospective, the company that created cineSync which is a platform that’s a backbone of how directors and supervisors in the film and game industry are able to communicate. This is a fun Episode!
November 12, 2018, 02:55 PM
https://postperspective.com/milk-vfx-provides-926-...
London’s Milk VFX, known for its visual effects work on Adrift, Annihilation and Altered Carbon, has just completed production on YouTube Premium’s new sci-fi thriller original series, Origin. Milk created all of the 926 VFX shots for Origin in 4K, encompassing a wide range of VFX work, Continue reading → November 12, 2018 The post Milk VFX provides 926 shots for YouTube’s Origin series appeared first on Randi Altman's postPerspective.
November 12, 2018, 10:03 AM
https://www.artofvfx.com/bleach-vfx-breakdown-by-d...
Really cool VFX Breakdown by Digital Frontier about their work on BLEACH:
November 9, 2018, 10:11 AM
Really cool VFX Breakdown by Important Looking Pirates about their work on JURASSIC WORLD – FALLEN KINGDOM...
November 9, 2018, 05:15 AM
http://vfxvoice.com/first-man-an-effects-odyssey/
LED screens, practical stunts and sets, models and miniatures, restored archive footage and lots of invisible effects – they’re just some of the VFX techniques utilized in telling the story of Neil Armstrong’s (Ryan Gosling) 1969 moon landing in Damien Chazelle’s First Man.
November 8, 2018, 10:39 AM
https://3dtotal.com/news/general/skyscraper-vfx-br...
Go behind the scenes of Image Engine's VFX for the Skyscraper film.
November 8, 2018, 05:36 AM
http://www.postmagazine.com/Press-Center/Daily-New...
SAN FRANCISCO & LONDON — Industrial Light & Magic is extending is visual effects and animation services to the streaming and episodic television markets via a new division called ILM TV. Based out of ILM’s new 47,000-square-foot London studio, the business will be supported by the company’s global locations in San Francisco, Vancouver and Singapore.
Daniel George McDonald sits down to discuss creating the finale for Cheer Season 2.
Gordon sits down with the editorial team of The Black Lady Sketch Show to discuss their approach to ...
Gordon sits down with Philip to discuss his work with Tyler Perry and his latest film A Madea Homeco...
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