To The Aotg.com Community,
It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
Color Correct, Add Music, and Export Your Video in
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https://www.premiumbeat.com/blog/color-grade-and-e...
In this final episode of the FCPX Essentials Series, we're covering the steps to finalize your edit with color correction, music, and export.
Meet Colorist Andrea Chlebak
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https://lappg.com/2020/12/29/meet-colorist-andrea-...
Last year we had the opportunity of having colorist Andrea Chlebak (Mandy, Elysium and Chappie) speak at LAPPG about “Color in Narrative” where she discussed working with directors and finding language about color for collaboration as well as how colors and their opposites affect viewers’ emotions. We were so enthralled with her presentation that we … Meet Colorist Andrea Chlebak Read More »
December 30, 2020, 03:08 PM
https://filmschoolrejects.com/carol-todd-haynes-co...
In our Color Code column, Luke Hicks chooses a handful of shots from a favorite film in order to draw out the meaning behind certain colors and how they play into both the scene and the film as a whole. For his fifth entry, he digs into Todd Haynes’ Carol.
Sight, Sound & Story: Live "Making the Grade: Col
December 29, 2020, 02:08 PM
https://www.youtube.com/watch?v=c1FUq-mXpVA
Sight, Sound & Story: Live "Making the Grade: Color in TV & Film" Moderator: Jason Druss (Senior Colorist at WarnerMedia Studios) Panelists: Élodie Ichter ("The Irishman," "Once Upon a Time In Hollywood," "The Maze Runner") & Stephen Nakamura ("X-Men: Days of Future Past," "The Martian," "Prometheus") Inside Episode VI: The contribution of the colorist in film goes beyond just making the scenes and images look good. A great colorist will draw the audience's eye to w...
Tell us how you use Mistika Technology in your pos
December 17, 2020, 01:48 PM
https://www.sgo.es/tell-us-how-you-use-mistika-tec...
Mistika Technology is being deployed globally on a daily basis to tell incredible stories and create unique experiences. SGO would like to encourage Mistika users to share their exciting projects with the global creative community for a chance to win a Mistika VR, Boutique, Workflows or DVO Tools license with a total prize value ...
Monitor Calibration Checklist
December 17, 2020, 01:48 PM
https://icolorist.com/monitor-calibration-checklis...
Calibration Check List from Professional Video Alliance
Nobe Color Remap for all your post-production tool
December 17, 2020, 01:47 PM
https://www.provideocoalition.com/nobe-color-remap...
Every now and then you see a new tool in post-production and you say “wow that is unique.” For me, one of those was the Nobe Color Remap from Time in Pixels. When this tool debuted it was unique in that it used a color display with points on a grid to make color adjustments. [...]Read More...
Colorist Nicholas Lareau now at Nice Shoes
December 16, 2020, 01:51 PM
http://www.postmagazine.com/Press-Center/Daily-New...
NEW YORK CITY — Nice Shoes (www.niceshoes.com) had added colorist Nicholas Lareau to its roster. He joins the creative production studio following a successful run at Light Iron, and two years further building his reel as a freelancer.
Head of Colour, Fergus McCall - The Mill
December 16, 2020, 01:50 PM
https://www.themill.com/stories/30-years-of-the-mi...
To celebrate ‘30 Years Of The Mill’ we are turning our focus to the extraordinary people behind our creativity. We asked a snapshot of 30 Makers from across The Mill to share their most inspiring projects from the past, alongside their future-facing insights on the advertising industry and evolution of creative technology. Read below to find out what inspired Head of Colour, Fergus McCall to join The Mill in its infancy and why investing in youth and talent is integral.
Atlantic Crossing Delivered in DaVinci Resolve
December 14, 2020, 02:22 PM
https://www.aotg.com/atlantic-crossing-delivered-in-davinci-resolve/
Blackmagic Design today announced that 8 part historical drama series, Atlantic Crossing, was graded in DaVinci Resolve by Nordisk Film Shortcut Oslo senior colorist, Dylan R. Hopkin.
#blackmagic design#davinci resolve
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