To The Aotg.com Community,

It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.

Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.

We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.

Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.

Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.

I look forward to seeing everyone at the various post events worldwide in the coming years!

Yours truly,
Gordon Burkell
Aotg.com Founder

Company 3 adds veteran colorist Gareth Spensley

December 10, 2020, 02:15 PM

http://www.postmagazine.com/Press-Center/Daily-New...

LONDON — Gareth Spensley has joined Company 3 (company3.com) as senior colorist. He comes to the studio from Molinare, where he established a reputation as a versatile colorist across both episodic television and feature films. 

Colorist Chat: Andrea Chlebak on An American Pickl

December 10, 2020, 02:12 PM

https://postperspective.com/colorist-chat-andrea-c...

By Randi Altman Industry veteran Andrea Chlebak has spent her career color grading film and television projects while at a variety of post houses. For the past two years, she was at LA’s Efilm, where she worked on projects such as An American Pickle, Bad Hair, Limetown and A Babysitter’s Guide to Monster Hunting. Continue reading → December 9, 2020 The post Colorist Chat: Andrea Chlebak on An American Pickle, Remote Work, More appeared first on postPerspective.

The Mill Announces Global Color Department Hires &

December 9, 2020, 01:24 PM

https://www.themill.com/stories/the-mill-announces...

We are pleased to announce several new appointments within our global Colour team. The appointments come as we continue to invest and expand our Colour offering and services.

The Mill Reshuffles its Global Color Team

December 9, 2020, 01:23 PM

https://postperspective.com/the-mill-reshuffles-it...

The Mill has named new heads of color in London, Chicago and Los Angeles and promote two executive producers. The appointments come as The Mill continues to invest and expand its color offerings, branching out into more long-form and episodic opportunities in addition to its award-winning commercial capabilities. Paul Yacono has joined The Mill in Los Angeles as head of color. Continue reading → December 8, 2020 The post The Mill Reshuffles its Global Color Team appeared first on postPe...

How to Create a Good-Looking Chroma-key in Final C

December 7, 2020, 02:17 PM

https://www.youtube.com/watch?v=X-JdZ19CDIs

https://larryjordan.com "How to Create a Good-Looking Chroma-key in Final Cut Pro X" is an excerpt from a recent PowerUp webinar presented by Larry Jordan. Effects are the fun part of video editing because there are so many different options. In this video tutorial, Larry Jordan shows how to create a clean chroma-key using both good and bad footage... and a carefully placed mask in Apple Final Cut Pro X. View the entire webinar here: https://larryjordan.com/store/300-effects-overvi...

Kiss the Ground Uses DaVinci Resolve Studio

December 3, 2020, 08:00 PM

https://www.aotg.com/kiss-the-ground-uses-davinci-resolve-studio/

Blackmagic Design announced today that the full length feature documentary “Kiss the Ground,” now available on Netflix, was conformed and graded using DaVinci Resolve Studio.

#blackmagic design#davinci resolve studio
Video Tutorial: Navigate the Basics of the Color W

December 3, 2020, 01:51 PM

https://www.premiumbeat.com/blog/color-wheel-basic...

The color wheels can be intimidating at first glance, but when simplified, they’re easy to navigate. Learn the basics with PremiumBeat. You’re brand new to filmmaking or ...

CineMatch from FilmConvert

November 30, 2020, 01:49 PM

https://digitalfilms.wordpress.com/2020/11/29/cine...

One of the many color correction challenges is matching dissimilar cameras used within the same production. This tends to be the case in many web, streaming, and non-scripted projects, where budgets and availability often dictate the mix of cameras to be used. I frequently end up with RED, ARRI, Panasonic, Sony, DJI, and GoPro cameras […]

Mistika 10 brings immaculate color control and a w

November 29, 2020, 08:01 PM

https://www.sgo.es/mistika-10-color/

To deliver great looking content at the highest quality, colorists and finishing artists have to be equipped with cutting edge grading tools, providing them with a total freedom to push creative boundaries without breaking the color. “With a completely redesigned Color Interface Mistika Boutique empowers creatives with ...

Company 3 Adds Gareth Spensley as Senior Colorist

November 26, 2020, 01:40 PM

https://postperspective.com/company-3-adds-gareth-...

Company 3 in London has hired Gareth Spensley as senior colorist. He joins from Molinare where he worked on episodic television and feature film projects. Spensley has colored many UK episodic dramas, including Doctor Who, The Durrells, Killing Eve and Bodyguard. His feature work includes Florian Zeller’s The Father and Wes Anderson’s eagerly anticipated The French Dispatch. Continue reading → November 25, 2020 The post Company 3 Adds Gareth Spensley as Senior Colorist appeared firs...

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