To The Aotg.com Community,

It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.

Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.

We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.

Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.

Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.

I look forward to seeing everyone at the various post events worldwide in the coming years!

Yours truly,
Gordon Burkell
Aotg.com Founder

Quick Tips: Optical Stabilizer

March 17, 2016, 04:17 PM

https://www.aotg.com/quick-tips-optical-stabilizer/

Editor Nathan Ryan quickly walks Premiere Pro users through the basics of the Optical Stabilizer. The Optical Stabilizer offers a few different options to easily fix camera shake and jitter.

“The Arbalest” Uses Blackmagic Cinema Camera

March 17, 2016, 01:43 PM

https://www.aotg.com/the-arbalest-uses-blackmagic-cinema-camera/

Blackmagic Design announced today that the 2016 SXSW debut film “The Arbalest” was shot using a Blackmagic Cinema Camera. Captured by director Adam Pinney and DP Hugh Braselton, the film was also color graded with DaVinci Resolve 12 Studio by colorist David Torcivia.

#color grading#post production#filmmaking
Introducing the New RetroCraft Collection

March 17, 2016, 12:15 PM

http://tracking.feedpress.it/link/9766/2863640

Finally, the new RetroCraft collection is here. Giving you the ability to instantly create clean, sharp and imaginative titles for your next documentary, reality show or live production.

Behind the Title: Editor Chrsitian Jhonson

March 17, 2016, 12:15 PM

http://postperspective.com/editorchrsitian-jhonson...

NAME: Chrsitian Jhonson (@avidusersecuado) COMPANY: Ecuador’s Teleamazonas CAN YOU DESCRIBE YOUR COMPANY? Teleamazonas is a TV station, which was the first television station in my country. We produce shows like The Voice Ecuador, Continue reading →March 17, 2016

Quick Chat: VFX Legion’s James Hattin on his vis

March 17, 2016, 12:15 PM

http://postperspective.com/quick-chat-vfx-legions-...

By Randi Altman While VFX Legion does have a brick-and-mortar location in Burbank, California, their team of 50 visual effects artists is spread around the world. Started in 2012 by co-founder and VFX supervisor James Hattin and six others, who were weary of the old VFX house model — including large overhead and long hours away from family — the virtual studio was set up to allow artists to work where they live, Continue reading →March 17, 2016

Top 5 Streaming Software Tools for Epiphan AV.io

March 17, 2016, 12:15 PM

http://www.videoguys.com/blog/top-10-streaming-sof...

The folks over at Epiphan put this list together of various streaming software tools and apps that work seamlessly with their AV.IO HD & SDI USB3 encoders. The AV.io are devices about the size of a pack of cigarettes that attach to your computer or laptop, PC or MAC via USB3. They are bus powered Read More The post Top 5 Streaming Software Tools for Epiphan AV.io appeared first on Videoguys Blog.

Blending Realities

March 17, 2016, 12:14 PM

http://www.cgwires.com/blending-realities/

Ludwigsburg, February 9, 2016. FMX 2016 has coined its main theme for this year’s edition: “Blending Realities.” Following this headline, FMX creates a space to analyze, discuss and try out the realities of others in Art, Technology and Business. What are the mindsets and conceptualization methods of my own and neighboring industries, which pipelines and distribution models are available? In thinking outside the box, FMX brings together people from across different sectors so they may disc...

Nostalgia Effects for FCP X

March 17, 2016, 09:26 AM

https://fxfactory.com/blog/effects-2/nostalgia-eff...

FCP X Effects, Transitions and Generators that take you back in time.

Working with the Arnold Mesh Light in Cinema 4D

March 17, 2016, 09:26 AM

http://lesterbanks.com/2016/03/working-arnold-mesh...

Inlifethrill Design’s Dobromir Dyankov covers using the Arnold Render Mesh Light in Cinema 4D. The Post Working with the Arnold Mesh Light in Cinema 4D originally appeared and published on %%BLOGLINK%,by lesterbanks

How To Design Sounds For Virtual Reality

March 17, 2016, 09:26 AM

https://www.aotg.com/how-to-design-sounds-for-virtual-reality/

If you’re interested in sound for virtual reality, don’t miss this one: It’s a really interesting talk from the Oculus Connect 2 conference by Tom Smurdon, Audio Content Lead at Oculus...

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