It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
February 16, 2016, 10:13 AM
http://lesterbanks.com/2016/02/beautifully-present...
WiZiX shows how he gets those great looking shots in Maya, using Otoy's Octane Render. The Post Beautifully Presenting Assets With Octane Render for Maya originally appeared and published on %%BLOGLINK%,by lesterbanks
February 16, 2016, 10:12 AM
http://www.theverge.com/2016/2/8/10926066/hail-cae...
Joel and Ethan Coen have never bothered pinning themselves to a single genre, nor have they been afraid of wearing their love for Hollywood itself on their collective sleeve — but their latest film Hail, Caesar! takes things to an entirely different level. A film about Old Hollywood, set inside the fictional Capitol Pictures in the 1950s, it doesn’t just take pains to create the look and feel of happy-go-lucky musicals, aw-shucks westerns, and Roman epics; Hail, Caesar! begins adopting those...
February 16, 2016, 10:12 AM
http://www.croatiaweek.com/croatian-editor-nina-ra...
Zagreb-born Rac was the editor animation short Edmond, which won a BAFTA in the British animated short category at the 69th British Academy of Film and Television Arts awards in London on Sunday.
February 16, 2016, 10:12 AM
https://www.cinema5d.com/what-is-color-temperature...
In the picture above, you can see three versions of the same image—each shot with different in-camera white balance (color temperature) settings...
February 16, 2016, 10:12 AM
http://wistia.com/blog/template-for-screencast-vid...
At Wistia, we're used to shooting videos about software. We've tackled issues like glare on screens and editing screencasts, and we've tried our best to make otherwise boring videos more visually engaging.
February 16, 2016, 10:12 AM
http://www.hollywoodreporter.com/behind-screen/osc...
VFX supervisors for 'Mad Max,' 'Star Wars' and more Oscar-nominated films share what it takes to keep it real. 'The Martian's' VFX supervisor, Richard Stammers, says of achieving an earthy approach: "We strive to make as much as we can real. The more you capture in-camera, they more it’s grounded in reality."
February 16, 2016, 09:05 AM
http://philpott.ca/rodeo-fx-brings-insight-and-ent...
Rodeo FX worked with Jonathan Rothbart, VFX supervisor, and Tim Miller, director, to create the grotesque look and feel of the Ryan Reynold's "Deadpool".
#rodeo fx#deadpoolFebruary 16, 2016, 08:41 AM
https://www.aotg.com/sound-devices-cl-12-now-available-for-6-series/
Firmware v2.11 Provides CL-12 Support for the 664 and 633, As Well As Additional Features
#sound devicesFebruary 16, 2016, 06:53 AM
http://www.premierebro.com/blog/deadpool-the-premi...
WARNING — Avid and FCPX fans should not read this post! This article does not contain any Deadpool spoilers. Unless you don't know Deadpool was edited in Premiere Pro CC. In which, it's too late and now you know.
#adobe#premiere pro#creative cloud#marvel#deadpoolFebruary 16, 2016, 06:06 AM
http://feedproxy.google.com/~r/artofthetitle_rss/~...
“You are a kite dancing in a hurricane, Mr. Bond.” — Mr. White ...
Daniel George McDonald sits down to discuss creating the finale for Cheer Season 2.
Gordon sits down with the editorial team of The Black Lady Sketch Show to discuss their approach to ...
Gordon sits down with Philip to discuss his work with Tyler Perry and his latest film A Madea Homeco...
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