It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
February 16, 2016, 06:05 AM
http://www.provideocoalition.com/keying-and-compos...
You’ve seen it before: composited people with hair helmets. If you’ve done any keying yourself, you probably notice it all the time. And you’ve seen worse: webbed fingers, grey outlines, green, magenta or grey reflections on skin. How can you make your keys look as good as the ones in, say, Iron Man or Transformers?
February 16, 2016, 06:05 AM
http://tracking.feedpress.it/link/9766/2597557
Opening Titles in Titler Pro 4, OFX Support and EPS Imports Learn the basics of title creation in part 1 of the 4-part tutorial series on Titler Pro 4 from our VP of Products Travis White. In this introductory lesson, Travis goes over basic title creation, applying Open FX plugins and importing EPS vectors all inside of Titler Pro 4. See how simple it is to hit the ground running in Titler Pro 4.
February 16, 2016, 06:04 AM
http://www.fcp.co/final-cut-pro/news/1776-larry-jo...
Larry has been one of the most respected trainers and tutorial producers since the times when Final Cut could only manage NTSC DV. He's decided it's time to wrap up his tutorial making and webinar publishing.
February 16, 2016, 06:03 AM
http://www.hdvideopro.com/blog/software-red-giant-...
Announced late last week, Red Giant’s Shooter Suite v13.0 is a new release of the series that bundles four video editing plug-ins for NLEs, including the latest iteration of PluralEyes, one of the most well known and well respected editing plug-ins for quick and accurate syncing of audio even without using timecode or audio claps or cues.
February 16, 2016, 06:03 AM
http://www.npr.org/2016/02/15/466832925/you-bite-o...
In the movie Mad Max: Fury Road, a renegade, played by Charlize Theron, races away from a dictator through a hellish desert.
February 16, 2016, 06:03 AM
https://www.aotg.com/how-to-make-earth-in-blender-cycles/
Blender tutorial on how to make a stylized, blue scifi earth, fit for advertising or wallpaper.
February 16, 2016, 06:03 AM
https://www.fxguide.com/featured/deep-inside-deadp...
Director Tim Miller’s first feature Deadpool hasn’t just raised the bar for subversive, fourth-wall-breaking comic book films, it also pushes the art in terms of visual effects. From completely synthetic environments for the freeway chase, to a fully CG dialogue-delivering metallic character in Colossus, to a unique approach to Deadpool’s facial animation and an unforgettable frozen moment opening title sequence...
February 16, 2016, 06:03 AM
http://photography.tutsplus.com/tutorials/how-to-t...
Depending on your editing platform and your computer hardware, editing with the footage that came off the camera may result in performance issues. In this tutorial you will learn how to transcode your footage to an intermediate codec. If you have older hardware or an edit app that doesn't play nice with AVCHD, this will result in an increase in performance for your video editing app!
February 16, 2016, 06:02 AM
https://fcpxpert.net/2016/02/15/pancakes-shmancake...
For some time now, aficionados of Premiere Pro have touted its ability to do “Pancake” editing. Huh? Well, in Premiere, you can stack (get it? stack… like pancakes) multiple timelines to quickly access string outs or sequences of selects etc., and add them to a cut. This is also often cited – by FCP X critics – as something you can’t do in FCP X.
February 15, 2016, 02:13 PM
https://www.aotg.com/mixing-multiple-rrts-in-an-aces-workflow/
ACES gives us colorists amazing possibilities with seamless and lossless workflows and look creation.As mentioned in the video you can find great infos about the ACES technology and theory. But so far I couldn't find anything from a colorists perspective. Here we go...
Daniel George McDonald sits down to discuss creating the finale for Cheer Season 2.
Gordon sits down with the editorial team of The Black Lady Sketch Show to discuss their approach to ...
Gordon sits down with Philip to discuss his work with Tyler Perry and his latest film A Madea Homeco...
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