To The Aotg.com Community,
It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
SoundEffects.com launches
February 10, 2016, 01:36 PM
http://www.postmagazine.com/Press-Center/Daily-New...
DETROIT — Sound designer/recordist/author Ric Viers has launched SoundEffects.com, a new Website that features sound effects content from publishers and independent sound effects producers from around the world. Viers, who authored “The Sound Effects Bible,” and records his own libraries, including the recently-released “Haunted FX” collection, launched the site with the goal of helping the next generation sound effects producers share their work.
Trying to burn a DVD at the end of the night and I
February 10, 2016, 01:36 PM
http://renderplease.com/post/139064792835
VFX Supervisor Richard Stammers on The Martian
February 10, 2016, 01:36 PM
http://www.studiodaily.com/2016/02/vfx-supervisor-...
Director Ridley Scott’s film The Martian finds astronaut Mark Watney (Matt Damon) stranded on the red planet with little more than his wits to keep him alive until NASA can rescue him. The film earned more than $500 million at … more » The post VFX Supervisor Richard Stammers on The Martian appeared first on Studio Daily.
Cutting Edge Filmmakers Discuss Adobe Premiere Pro
February 10, 2016, 01:36 PM
http://www.videoguys.com/blog/cutting-edge-filmmak...
Adobe’s Creative Cloud features well in this account of 4 innovative filmmakers using Premiere Pro CC for their post production needs. Read on for the details. What’s NEXT? Adobe Premiere Pro CC Half of the 2016 Sundance Film Festival NEXT Category Films Cut with Adobe Premiere Pro CC. When 2016 Sundance Film Festival goers sit Read More The post Cutting Edge Filmmakers Discuss Adobe Premiere Pro CC Workflow appeared first on Videoguys Blog.
Getting Started With Joints & Skinning in Maya
February 10, 2016, 01:35 PM
http://lesterbanks.com/2016/02/getting-started-wit...
James Taylor offers a great guide for getting started with joints & skinning in Maya. The Post Getting Started With Joints & Skinning in Maya originally appeared and published on %%BLOGLINK%,by lesterbanks
Tangent makes updates to Ripple panel, expects to
February 10, 2016, 01:35 PM
http://postperspective.com/tangent-makes-updates-t...
At IBC this past September, Tangent showed working prototypes of its Ripple panel — a new entry level offering designed for the occasional colorist, editor and student — and came away with a few suggestions that they incorporated into the final product. Ripple features three tracker balls that speed up primary grading. It is lightweight and offers a footprint small enough to sit beside your keyboard and mouse without getting in the way. Here are the recent changes that Tangent made to ...
Lunch with Heather Williams
February 10, 2016, 01:35 PM
http://www.philiphodgetts.com/2016/02/lunch-with-h...
Our latest Lunch guest is Heather Williams. Heather has been working with manufacturers for nearly 10 years helping to bring the best video production tools to market – meeting the important and evolving needs of today’s creative professionals. She began her career as part of the original team at G-Technology and helped grow the company […]
New Media Composer is Here—Subscribe Now and Get
February 10, 2016, 10:34 AM
http://www.avidblogs.com/new-media-composer-is-her...
The article New Media Composer is Here—Subscribe Now and Get Boris Continuum Transitions Unit Free by Wim Van den Broeck appeared first on Avid Blogs - The media industry is changing fast. Get the insight you need to succeed—read Avid Blogs..
Octane Render in Side Effects Houdini, Getting Sta
February 10, 2016, 10:34 AM
http://lesterbanks.com/2016/02/getting-started-wit...
Ben Watts shows how quick you can get up and running using Octane Render for Houdini. The Post Octane Render in Side Effects Houdini, Getting Started originally appeared and published on %%BLOGLINK%,by lesterbanks
Hey, sorry if this is a weird question, but do you
February 10, 2016, 10:33 AM
http://renderplease.com/post/139055795385
Unfortunately, I am not at all familiar with that realm of post. *sends out Bat signal* Anyone care...
Newest from AOTG.com
-
Daniel George McDonald on Editing Cheer's Season 2 Finale
Daniel George McDonald sits down to discuss creating the finale for Cheer Season 2.
-
Editing The Black Lady Sketch Show
Gordon sits down with the editorial team of The Black Lady Sketch Show to discuss their approach to ...
-
Philip White on Crafting A Madea Homecoming's Music
Gordon sits down with Philip to discuss his work with Tyler Perry and his latest film A Madea Homeco...
Site Links
Tools
Sister Sites
© 2007-2026 www.aotg.com Ver. 3.0 All Content created and posted by Art of the Guillotine users Art of the Guillotine graphics, logos, designs, page headers, button icons, scripts, and other service names are the trademarks of Art of the Guillotine Inc. Use of this material outside of this site is strictly prohibited.