To The Aotg.com Community,

It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.

Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.

We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.

Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.

Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.

I look forward to seeing everyone at the various post events worldwide in the coming years!

Yours truly,
Gordon Burkell
Aotg.com Founder

How to Create an Iridescent Material in Cinema 4D

February 11, 2016, 10:36 AM

http://greyscalegorilla.com/tutorials/how-to-creat...

In this tutorial I’m going to show you how to create an iridescent texture in Cinema 4D. I’ll start by building up a scene to apply materials to. I’ll then go over the Spectral Shader that applies prismatic color reflexes, or pearl like effects to your specular channel. We’ll cover all the options inside the Spectral Shader as well as how lights and camera view can affect how the effect is applied to your object. Finally I’ll give you some hints as to how you can create a soapy bubble ...

THE SHANNARA CHRONICLES: Making Of

February 11, 2016, 10:35 AM

http://www.artofvfx.com/the-shannara-chronicles-ma...

Nice environment and magical work by Mackevision in this VFX making of about THE SHANNARA CHRONICLES...

Using Clip Groups To Mark Up ADR In Pro Tools

February 11, 2016, 10:35 AM

https://www.aotg.com/using-clip-groups-to-mark-up-adr-in-pro-tools/

Alan Sallabank shares his method for using Pro Tools Clip Groups to mark up ADR.

First Look: Red Giant PluralEyes 4

February 11, 2016, 06:58 AM

http://www.provideocoalition.com/first-look-red-gi...

PluralEyes 4 automates audio/video synchronization in seconds instead of days, giving videographers and filmmakers edit-ready footage without clappers or timecode. Red Giant released it with a new interface and faster sync workflow for a faster post-production process with less gear, and greater control and confidence in the sync. For videographers and filmmakers with audio and multi-camera recordings, PluralEyes greatly speeds-up the post-production workflow of films, weddings, events, mus...

Hollywood Redux: VFX of Hail, Caesar!

February 11, 2016, 06:57 AM

https://www.fxguide.com/featured/hollywood-redux-t...

Joel and Ethan Coen’s Hail, Caesar! is a throw-back to the big studio films of the 1950s. Equally ‘throw-back’ were the film’s visual effects - these involved effects for the actual film itself, effects for the film’s ‘movies within a movie’ that looked to match the way special effects would have been completed at that time, and effects that somewhat blurred those lines. Visual effects supervisor Dan Schrecker tells fxguide in his own words how Psyop, which was the sole vendor on H...

Review Of The Tascam US 2020

February 11, 2016, 06:57 AM

https://www.aotg.com/review-of-the-tascam-us-2020/

In this video James takes a look at the Tascam US-2020 Audio Interface, Mic Pre & Digital Mixer. He shows us around the unit then takes it for an audio spin with a partial cover of a soul classic recording Drums, Bass via the DI inputs, Guitars and Vocals. Take a watch a listen to how Tascam have crammed loads of killer features and great sounding I/O into this 1U box.

FMX 2016 Theme: Blending Realities

February 11, 2016, 06:57 AM

http://www.animationmagazine.net/events/fmx-2016-t...

The FMX 2016 conference has come up with its core theme for this year: Blending Realities. In line with this, FMX will be creating space to analyze, discuss and try out other people’s realities in art, technology and business. The 2016 conference, taking place April 26-29 in Stuttgart, Germany, will encourage people from across animation, vfx, games and transmedia to come together and use each other’s experiences to help with outside-the-box thinking.

VFX Nazi-Run World in The Man in the High Castle

February 11, 2016, 06:57 AM

https://www.aotg.com/vfx-nazi-run-world-in-the-man-in-the-high-castle/

Amazon Studios’ “The Man in the High Castle” take places in an alternate history, set in a post-WWII world where the Axis powers ended up victorious. To create the look of a United States run by Imperial Japan and Nazi Germany, FX studio Psyop was tasked with creating difficult visual effects and environment work. Find out how they did it.

Red Giant releases Shooter Suite V.13.0, updates P

February 10, 2016, 07:13 PM

http://www.postmagazine.com/Press-Center/Daily-New...

PORTLAND, OR — Red Giant (www.redgiant.com) has released Shooter Suite V.13.0, which features the brand new PluralEyes V.4.0 audio/video syncing tool. Topping the list of new features in PluralEyes 4.0 is the ability to sync with PluralEyes directly in Premiere Pro without having to leave the host app, Smart Start capabilities, automatic drift correction, vertical track scaling, integration with Red Giant Offload, and more simplicity and automation.

Digital Production Buzz – February 11, 2016

February 10, 2016, 07:13 PM

http://www.digitalproductionbuzz.com/2016/02/digit...

On the Digital Production Buzz, Larry Jordan talks with guests David Colantuoni, Philip Hodgetts, and Dan Montgomery. Avid Updates Media Composer Buy New Gear - or Do Nothing? How To Decide A Better Way to Archive Media Projects Randi's Perspective: TBA Tech Talk: TBA WATCH FULL SHOW The post Digital Production Buzz – February 11, 2016 appeared first on Digital Production BuZZ.

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