To The Aotg.com Community,

It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.

Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.

We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.

Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.

Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.

I look forward to seeing everyone at the various post events worldwide in the coming years!

Yours truly,
Gordon Burkell
Aotg.com Founder

Ubisoft - The Division VFX breakdown

December 21, 2015, 10:20 AM

http://www.digital-district.fr/en/projects/ubisoft...

Really nice VFX Breakdown by Digital District about their work on TOM CLANCY’S THE DIVISION – “Silent Night”

Ant-Man Vfx Breakdown by Cinesite

December 21, 2015, 10:19 AM

http://www.cgmeetup.net/home/ant-man-vfx-breakdown...

Cinesite delivered a major visual effects sequence for the Marvel Studios production Ant-Man. Ant-Man and his evil nemesis Yellow Jacket, who have been fighting in a suitcase inside a helicopter, continue their battle after the case falls to the ground. Landing in a swimming pool at a family barbecue, the characters grow to normal size, then shrink back down again as they brawl in front of shocked bystanders.

25 tips for staying sane as a freelancer

December 21, 2015, 10:19 AM

http://www.creativebloq.com/productivity/25-tips-s...

There's a myth about freelance life that it largely comprises lounging around in your pants watching endless box sets.

Star Wars London - Vfx Breakdown

December 21, 2015, 10:19 AM

http://www.cgmeetup.net/home/star-wars-london-vfx-...

Garth Lee – A VFX breakdown of a video I made at Scorch London to celebrate the new Star Wars film and premiere.

Review Of Pro L By FabFilter

December 21, 2015, 10:19 AM

https://www.aotg.com/review-of-pro-l-by-fabfilter/

In this video review Dan Cooper takes a look at Pro-L, a brick wall limiter plug-in by FabFilter. Watch the video to hear how it performs and to find out what Dan thinks.

New Music Video Graded with DaVinci Resolve Studio

December 21, 2015, 07:03 AM

https://www.aotg.com/new-music-video-graded-with-davinci-resolve-studio/

Blackmagic Design today announced that DaVinci Resolve Studio was used for grading Man With A Mission’s new music video for the hit single “DIVE.” Motoki Tanaka, a colorist from Tokyo based post production company L’espace Vision, graded the video.

#color grading#post production#color correction
Interview Aidan Gibbons, Mill+ Director

December 21, 2015, 05:37 AM

http://filmireland.net/2015/12/21/irish-vfx-animat...

Aidan Gibbons is a Mill+ Director working out of the London studio. Aidan moved into Direction after working as a senior member of The Mill’s 3D team, where he was a CG lead, and has led artists on a number of high profile advertising campaigns for Lexus, Santander and Brother. Most recently Aidan has directed commercials for Lexus ‘Geneva Motorshow,’ Ssang Yong ‘Tivoli’ and Jaguar ‘ACST’.

Review: Nearfield Audio Monitors Group Test

December 21, 2015, 05:37 AM

http://www.definitionmagazine.com/journal/2015/12/...

Back in the day, editors cut picture looking at a blurry, over-compressed image. Often it seemed that 4 by 3 wasn’t just the aspect ratio – it was the number of pixels. As far as sound went, you could get the dialogue about right, and maybe add some music, but that was it.

VFX Festival, évènement sur les effets spéciaux

December 21, 2015, 05:37 AM

http://www.3dvf.com/actualite-15441-vfx-festival-e...

From 23 to 25 February, the company Escape Studio will host a new edition of its event dedicated to professionals in the game, animation and special effects: the VFX Festival.

Jordskott Vfx Breakdown

December 21, 2015, 05:37 AM

http://www.cgmeetup.net/home/jordskott-vfx-breakdo...

This is a shorter version with some picks from the complete VFX reel which is coming later. Stopp delivered a total of 342 shots for the final edit with a very wide range of visual effects, from small fixes to advanced digital effects.

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