It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
June 2, 2017, 05:25 AM
https://www.fxguide.com/thevfxshow/vfxshow-219-gua...
In this episode we discuss Guardians of the Galaxy Vol 2.
June 1, 2017, 09:36 AM
http://postperspective.com/shotgun-7-2-plug-play-i...
Shotgun has released Version 7.2 of its cloud-based review and production tracking software. With an eye on simplifying workflows and helping studios of all sizes collaborate, this latest update transforms integrations with content creation tools and streamlines the review process. Updates to RV also make reviewing media from the cloud seamless and includes SDI functionality as standard. Continue reading → June 1, 2017 The post Shotgun 7.2 — plug-and-play integrations, streaming in RV...
June 1, 2017, 09:34 AM
https://www.raindance.org/power-one-one-engagement...
It’s June 2017, and we are just over three years into the consumer immersive storytelling revolution that was kickstarted by Facebook’s purchase of the virtual reality headset maker Oculus Rift for nearly $3bn (more than the $2bn first reported). The industry faces big challenges (of public awareness about the technology and how to find and consume it as part of daily life), while at the same time offering great opportunities to content makers everywhere.
June 1, 2017, 09:34 AM
http://www.artofvfx.com/lacoste-timeless-making-of...
Mikros Image have released the making of about their VFX work on this beautiful commercial for LACOSTE...
May 31, 2017, 12:57 PM
http://theangryvideoguy.com/index.php/2017/05/31/t...
When watching video in VR, the viewer is more susceptible to motion sickness than if you were to watch on a monitor or projector. Wobbly motion is seen, but not felt by the headset user which confuses the brain and therefore can cause the stomach to empty. Ask my friends!
#tutorial#vr#360 video#360°#360 video workflow#vr workflowMay 31, 2017, 08:24 AM
https://www.aotg.com/nbcuniversal-partnership-with-cineo-lighting/
NBCUniversal announces the latest innovation in LED production lighting, NBCUniversal LightBlade (lightbladeled.com). In partnership with Cineo Lighting, this new line of high performance lighting combines NBCUniversal's decades of production and broadcast experience with Cineo's award-winning proprietary technologies. These new products will debut at Cine Gear Expo in Stage 14, Booth # S126.
#cine gear expo#cineo lighting#nbc universal#lightbladeMay 31, 2017, 04:12 AM
https://greyscalegorilla.com/tutorials/3d-workflow...
NAB 2017 Rewind – Chad Ashley: 3D Workflow Techniques for Lazy People from Cineversity.
May 31, 2017, 04:12 AM
http://nofilmschool.com/2017/05/watch-how-pull-lev...
About a month ago we talked about fishing line and what kinds of items you'll want to keep on hand when using it on set for different special effects. Today, we dig into how to use those items to create those effects. In this video from Jay P. Morgan of The Slanted Lens, he covers how to hang, anchor, and choose fishing line for your awesome in-camera levitation effects, as well as a few tricks on how to make the process a whole lot easier.
May 31, 2017, 04:12 AM
https://www.provideocoalition.com/review-shape-mon...
Plug-ins are a staple of life for After Effects users. For me, at least, I’m always super excited when a new effect (or bundle of effects) is/are released from a company, as it’s always cool to see what boundary these companies are trying to push next. With that being said, there is an exciting new trend, and new boundary being pushed, and those boundaries are from within the application itself, and I’m talking about After Effects scripts.
May 30, 2017, 09:48 AM
http://theangryvideoguy.com/index.php/2017/05/30/v...
Miopia VFX is a house based out of Madrid who has been providing Visual Effects since 1999. Miopia completed this rather cool spot for Ferrari Land.
#vfx breakdown#vfx breakdowns#miopia
Daniel George McDonald sits down to discuss creating the finale for Cheer Season 2.
Gordon sits down with the editorial team of The Black Lady Sketch Show to discuss their approach to ...
Gordon sits down with Philip to discuss his work with Tyler Perry and his latest film A Madea Homeco...
© 2007-2026 www.aotg.com Ver. 3.0 All Content created and posted by Art of the Guillotine users Art of the Guillotine graphics, logos, designs, page headers, button icons, scripts, and other service names are the trademarks of Art of the Guillotine Inc. Use of this material outside of this site is strictly prohibited.