It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
February 11, 2015, 07:06 AM
https://www.youtube.com/watch?v=lPFsJ-SsqMU
Check out week 1 of a 4 week series by Pixel Bump where they show the VFX pipeline for the short film, "The Call". Starting with the concept, shooting a gree...
February 11, 2015, 07:06 AM
http://www.pro-tools-expert.com/home-page/2015/2/1...
12 months ago we ran a series of articles part 1, part 2, part 3 & part 4 from community member Neil Martin focussing on getting Pro Tools and its associated extras into a state whereby it could be deployed en-mass which is especially useful in educational establishments.
February 11, 2015, 07:05 AM
https://www.aotg.com/why-managing-side-wall-reflections-is-so-important/
Today we’re going to talk about sidewall reflections because this is a really big element in your presentation, especially in your two channel environment whether its in a control room, a personal listening environment or even a home theater. You have to think about good sound and what really is good sound?
February 10, 2015, 02:22 PM
https://www.aotg.com/sound-devices-names-brandi-loyd-marketing-manager/
Sound Devices, specialists in audio and video products for broadcast and film production, is pleased to announce the appointment of Brandi Loyd as Marketing Project Manager. Loyd brings nearly 20 years of marketing and technical-writing experience to Sound Devices, where she will oversee and manage a variety of marketing initiatives.
February 10, 2015, 02:18 PM
https://www.aotg.com/pixspan-and-tixel-break-the-speed-barrier-for-high/
TIXstream Incorporates Pixspan's Revolutionary Software
#camera raw#image processing#full-resolution media#medical imaging#surveillance imaging#full-resolution workflow#cloud services#big data exchangFebruary 10, 2015, 02:14 PM
https://www.aotg.com/miller-treks-to-kingdom-of-mustang/
When Nathan Ward, co-founder of Grit & Thistle Film Company, trekked through the Mustang Region of the Himalayas of Nepal to create an inspiring documentary about the unique educational system in the village of Lubrak, he turned to Miller Camera Support Equipment, a leader in the production of innovating camera support solutions, for his camera support needs.
February 10, 2015, 01:45 PM
http://www.artofvfx.com/?p=10992
Before joining the team of Weta Digital in 2006, Mike Cozens worked at Hybride on projects such as SIN CITY or 300. At Weta Digital, he worked on AVATAR, RISE OF THE PLANET OF THE APES or the trilogy THE HOBBIT.
February 10, 2015, 01:45 PM
http://bobbyowsinski.blogspot.com/2015/02/dont-buy...
For music and audio professionals, we live and die by our DAW and that means everything attached to it as well.
February 10, 2015, 01:45 PM
http://www.thecredits.org/2015/02/vfx-supervisor-d...
When Andy and Lana Wachowski release a picture, moviegoers can rely on it to be a visual experience. In large part, that is because of the talent of their visual effects team, which has been supervised since The Matrix Reloaded by Dan Glass. Glass, who has worked with the Wachowskis on two Matrix films, Speed Racer, and Cloud Atlas, is also credited as the visual effects supervisor for Jupiter Ascending, which opened on Friday.
February 10, 2015, 01:45 PM
http://sportsvideo.org/main/blog/2015/02/sound-dev...
Sound Devices has named Brandi Loyd as its Marketing Project Manager. Loyd brings nearly 20 years of marketing and technical-writing experience to Sound Devices, where she will oversee and manage a variety of marketing initiatives.
Daniel George McDonald sits down to discuss creating the finale for Cheer Season 2.
Gordon sits down with the editorial team of The Black Lady Sketch Show to discuss their approach to ...
Gordon sits down with Philip to discuss his work with Tyler Perry and his latest film A Madea Homeco...
© 2007-2025 www.aotg.com Ver. 3.0 All Content created and posted by Art of the Guillotine users Art of the Guillotine graphics, logos, designs, page headers, button icons, scripts, and other service names are the trademarks of Art of the Guillotine Inc. Use of this material outside of this site is strictly prohibited.