To The Aotg.com Community,

It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.

Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.

We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.

Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.

Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.

I look forward to seeing everyone at the various post events worldwide in the coming years!

Yours truly,
Gordon Burkell
Aotg.com Founder

Editing HBO’s True Detective, Season 3

August 23, 2019, 07:00 AM

http://www.postmagazine.com/Press-Center/Daily-New...

The biggest challenge of my career was also my most rewarding experience. As the sole editor of all eight episodes of HBO’s True Detective, Season 3, I was given the responsibility of telling an extremely complex and intricately-plotted story. It was told from the point of view of a character in the early stages of dementia, a story that regularly shifted between three separate time periods as well as between objective reality and dementia-induced hallucination. Having previously edited...

Editor turned director TG Herrington signs with Th

August 23, 2019, 07:00 AM

http://www.postmagazine.com/Press-Center/Daily-New...

DALLAS — Threaded Pictures (www.threaded.pictures) has signed director TG Herrington, representing him for commercial and branded content work in the state of Texas. Herrington is a multi-faceted filmmaker with a diverse body of work. He is known for his ability to create extraordinary stories and performances from even the most ordinary of people. 

Scratch 9.1 now supports AJA Kona 5, Red 8K workfl

August 23, 2019, 06:59 AM

https://postperspective.com/scratch-9-1-now-suppor...

Assimilate’s Scratch 9.1 now supports AJA Kona 5 audio and video I/O cards, enabling users to output 8K 60p video via 12G-SDI. Scratch 9.1 is also now supporting AJA’s Io 4K Plus I/O box with Thunderbolt 3 connectivity. The product also works with AJA’s T-Tap Io 4K, Kona 1 and Kona 4. Continue reading → August 22, 2019 The post Scratch 9.1 now supports AJA Kona 5, Red 8K workflows appeared first on postPerspective.

September 11, 2019 – Doors open at 7pm

August 22, 2019, 06:16 AM

https://lappg.com/lappg-at-zeiss-cinema-lens-demo-...

**EXCITING EVENT – PLEASE READ BELOW AS REGISTRATION FOR THIS MEETING IS DIFFERENT!** We are thrilled to announce that ZEISS has renewed their support of LAPPG and has offered to host our September meeting at their new facility in Sherman Oaks! We look forward to seeing you there. Because this will be a popular meeting […] The post September 11, 2019 – Doors open at 7pm appeared first on lappg.

Grass Valley Live Production Solutions Give Expert

August 22, 2019, 06:16 AM

https://www.broadcastbeat.com/grass-valley-live-pr...

MONTREAL – 8:00 CET August 22, 2019 – Grass Valley’s versatile cameras have been selected by Expert’ease, to enhance its live production offering. Grass Valley’s solutions were chosen for their proven reliability and agility and will enable the Montreal-based audiovisual and multimedia company to take its production capability to the next level. Installation and commissioning ...

ART OF THE CUT with Kevin Tent, ACE on editing “

August 21, 2019, 02:51 PM

https://www.provideocoalition.com/aotc-tent-pbf/

Kevin Tent, ACE, has been nominated for an Oscar and numerous ACE Eddie Awards for his work on Election, About Schmidt, Sideways, The Descendants, and Nebraska. He also won an ACE Eddie for The Descendants. Today, Kevin and I discuss his work on in indie film, Peanut Butter Falcon, which he cut on Adobe Premiere.... The post ART OF THE CUT with Kevin Tent, ACE on editing “Peanut Butter Falcon” appeared first on ProVideo Coalition.

Hitchcock Inspired Suicide Mission Music Video Cut

August 21, 2019, 02:49 PM

http://www.fcp.co/final-cut-pro/articles/2202-hitc...

Dušan Sekulović got in touch with FCP.co to tell us about a music video he produced. Inspired by old black and white films, he explains how everything was edited and composited in Final Cut Pro X.

iJustine Announces Her Workflow Extension Training

August 21, 2019, 02:48 PM

http://www.fcp.co/final-cut-pro/news/2201-ijustine...

Another workflow extension for Final Cut Pro X and this time it is all about training. iJustine in partnership with Ripple Training have produced a beginners course of lessons for Final Cut Pro X.

C&I Studios Relies on DaVinci Resolve 16 Studio

August 21, 2019, 09:11 AM

https://www.aotg.com/ci-studios-relies-on-davinci-resolve-16-studio/

Blackmagic Design today announced that C&I Studios, a global content creation agency, is using DaVinci Resolve 16 Studio’s new cut page for faster than ever editing. Relying on DaVinci Resolve 16 Studio for end to end post production, including editing, color grading, visual effects (VFX) and Fairlight audio, C&I Studios created a video for the John F. Kennedy Center for the Performing Arts showcasing one of its signature programs, Turnaround Arts.

#blackmagic design#davinci resolve studio#ursa mini pro#pocket cinema camera 4k

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