It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
August 21, 2019, 04:32 AM
http://saeditores.org/Novedades/Alejandro-del-Prad...
Una síntesis personal de la edición por sus artífices
August 21, 2019, 04:32 AM
https://www.studiodaily.com/2019/08/emmy-nominated...
U.K. native-turned-Angeleno Tom Jarvis brings wide-ranging experience to the editing room, thanks to a series of gigs cutting a variety of TV programs, including British series Big Brother, Britain’s Got Talent and The X Factor and stateside shows including The Grammys, the MTV Movie Awards, Dancing with the Stars, and America’s Got Talent. Since 2016, he’s been with The Late Late Show with James Corden, […] The post Emmy-Nominated Editor Tom Jarvis on the Joy of Paul McCa...
August 21, 2019, 04:31 AM
https://www.provideocoalition.com/the-art-of-the-c...
The Art of the Cut podcast brings the fantastic conversations that Steve Hullfish has with world renowned editors into your car, living room, editing suite and beyond. In each episode, Steve talks with editors ranging from emerging stars to Oscar and Emmy winners. Hear from the top editors of today about their careers, editing workflows... The post The Art of the Cut Podcast Eps. 9 (w/ True Detective Editor Leo Trombetta) appeared first on ProVideo Coalition.
August 20, 2019, 12:05 PM
https://postperspective.com/movielabs-hollywood-fi...
MovieLabs (Motion Pictures Laboratories), a non-profit technology research lab that works jointly with member studios Sony, Warner Bros., Disney, Universal and Paramount, has published a new white paper presenting an industry vision for the future of media creation technology by 2030. The paper, co-authored by MovieLabs and technologists from Hollywood studios, Continue reading → August 20, 2019 The post MovieLabs, Hollywood film studios release ‘future of media creation’ white pape...
August 20, 2019, 05:58 AM
https://nofilmschool.com/pro-grade-software-replac...
Media can get expensive. Especially when you're using larger and larger media files, requiring more storage. And when a card goes bad, it does so at the worst of times. But what if you could give your media cards a check-up and know when it's time to replace them? That's the idea behind ProGrade's New Refresh Pro Software. But there is a catch.
August 20, 2019, 05:58 AM
https://nofilmschool.com/switched-final-cut-pro-x-...
I spent a quarter of a century editing on Avid and several years on Premiere Pro, so why did I decide to ditch them both and go with Final Cut Pro X? I'll tell ya.
August 20, 2019, 05:58 AM
http://www.fcp.co/final-cut-pro/articles/2200-the-...
Apple's Motion is now over 15 years old, so time to give FCPX's backbone companion app a little love. In the article below we take a look back, but the live chat will end up looking forward. Where is Motion going next? What features will the next Motion have and what would Motion benefit from getting. We discuss, live on YouTube!
August 20, 2019, 05:57 AM
http://www.philiphodgetts.com/2019/08/we-have-a-10...
While it’s not the first app we released, Sequence Clip Reporter has now been serving the Final Cut Pro, Premiere Pro and Resolve communities for 10 years! That’s an impressive achievement for a small Independent Software Vendor. Greg and I are fortunate that we are able to make a decent income serving our community with […]
August 19, 2019, 12:27 PM
https://www.screeneditors.com.au/warner-bros/
Since entering the Australian market in mid-2015 Warner Bros. has become a major force in the local TV production scene. Warner Bros. makes a diverse range of top rating shows, from the highly successful Bachelor franchise, generating three separate series a year, to formats including First Dates, Little Big Shots, The Proposal, Dancing With The […]
August 19, 2019, 12:27 PM
https://www.studiodaily.com/2019/08/editor-vera-dr...
Vera Drew is an editorial polymath — in addition to her work in the edit suite, she’s also an accomplished writer and director who knows her way around animation and design. In fact, it was an early interest in animation that helped guide her career path as she came up through the ranks at Tim […] The post Emmy-Nominated Editor Vera Drew on Tim and Eric’s Channel 5, the Value of Subversive Comedy, and Showtime’s Who Is America? appeared first on Studio Daily.
Daniel George McDonald sits down to discuss creating the finale for Cheer Season 2.
Gordon sits down with the editorial team of The Black Lady Sketch Show to discuss their approach to ...
Gordon sits down with Philip to discuss his work with Tyler Perry and his latest film A Madea Homeco...
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