To The Aotg.com Community,

It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.

Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.

We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.

Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.

Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.

I look forward to seeing everyone at the various post events worldwide in the coming years!

Yours truly,
Gordon Burkell
Aotg.com Founder

JOHN WICK - CHAPTER 2: Kirk Brillon - VFX Supervis

March 22, 2017, 12:35 PM

http://www.artofvfx.com/john-wick-chapter-2-kirk-b...

Kirk Brillon joined Spin VFX in 2009 as a compositing artist. He works on numerous projects such as JOHN WICK, THE SHALLOWS, SUICIDE SQUAD and the series THE BORGIAS and GAME OF THRONES.

Miller Hones the arrowFx 7 at CABSAT 2017

March 22, 2017, 10:33 AM

https://www.aotg.com/miller-hones-the-arrowfx-7-at-cabsat-2017/

Miller Camera Support Equipment, a leader in the production of innovating camera support solutions, showcases its new arrowFx 7 Fluid Head at the Future Art Broadcast Trading L.T.D. stand (E1-20) at CABSAT 2017. Future Art Broadcast Trading L.T.D., Miller’s dealer in both Dubai and Iraq, supports the company’s complete range of products, including its newest addition to the arrowX line of fluid heads, the arrowFx 7.

#miller camera support#cabsat 2017#arrowfx 7 fluid head
FMX 2017: updated program

March 22, 2017, 09:39 AM

http://www.artofvfx.com/fmx-2017-updated-program/

Philippe Rebours (VFX Supervisor at Industrial Light & Magic) and François Dumoulin (VFX Supervisor at Rodeo FX) will cover the work on VALERIAN AND THE CITY OF A THOUSAND PLANETS.

Create Node Shelves With smartShelves for Nuke

March 21, 2017, 09:46 AM

http://theangryvideoguy.com/index.php/2017/03/21/c...

Now whether avoiding basic Python is good or bad in the long term is up to you, but smartShelves allows you to create custom shelves and assign hotkeys for your nodes/gizmos. It makes it into a drag & drop process any dummy can do.

#nodes#nuke#gizmos#python
A MONSTER CALLS: VFX Breakdown by MPC

March 21, 2017, 09:35 AM

http://www.artofvfx.com/a-monster-calls-vfx-breakd...

Nice VFX Breakdown by MPC about their creature work on A MONSTER CALLS...

PATRIOTS DAY: Sean Devereaux - VFX Supervisor

March 20, 2017, 09:49 AM

http://www.artofvfx.com/patriots-day-sean-devereau...

At the end of last year, Sean Devereaux, had explained to us the work of Zero VFX on THE MAGNIFICENT SEVEN. He talks to us today about his work on the invisible effects of PATRIOTS DAY.

VFX Supervisor Showreel by Mohamed Tantawy

March 17, 2017, 09:22 AM

http://www.cgmeetup.net/home/cg-generalist-vfx-sup...

Mohamed Tantawy Showreel 2017, CG Generalist – Visual Effects Supervisor.

TWO LOVERS AND A BEAR: VFX Breakdown by Rodeo FX

March 16, 2017, 02:38 PM

http://www.artofvfx.com/two-lovers-and-a-bear-vfx-...

Nice invisible VFX work by Rodeo FX on TWO LOVERS AND A BEAR...

Attach objects to Surface Planes in AE

March 16, 2017, 02:38 PM

http://www.4kshooters.net/2017/03/16/how-to-quickl...

This is probably one of the coolest and easiest post-production tricks you can do in After Effects CC, especially when you need to deal with a clip with some sort of camera movement involved in it. And the best part is that the possibilities of this effective trick are virtually limitless once you get it right.

AMIA’s Digital Asset Symposium Unveiled

March 16, 2017, 08:37 AM

https://www.aotg.com/amias-digital-asset-symposium-unveiled/

Topics to include cloud-based media management and distribution, automated metadata, artificial intelligence’s role in archiving and asset management, and successful vault conversion strategies

#metadata#das#archiving#amia#digital asset symposium#digital assets

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