It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
April 4, 2018, 05:19 AM
https://www.sgo.es/sgo-to-unveil-mistika-review-at...
Mistika Review provides real-time playback and review of many file types, resolutions and color spaces, improving the efficiency of any
April 4, 2018, 05:18 AM
http://www.studiodaily.com/2018/04/adobe-ai-color-...
On the eve of NAB 2018, Adobe released the latest raft of improvements to its Creative Cloud suite of tools, including new features aimed at helping Premiere Pro editors dial in looks more quickly with its built-in Lumetri color cools. Other new features include welcome tweaks to the Essential Graphics panel that should make it easier […] The post Adobe’s Pre-NAB Reveal Includes AI-Driven Color Matching, Improved Motion Graphics Workflow appeared first on Studio Daily.
April 4, 2018, 05:16 AM
https://www.engadget.com/2018/04/04/adobe-premiere...
At NAB 2018, Adobe has announced that the Sensei AI used in Photoshop and Lightroom have come to its Premiere Pro CC editing app. The first tool, Color Match, takes a lot of tedium out an edit. Even when filmmakers are careful, hues and tones can vary from shot to shot, so editors usually have to do a laborious color correction. All you have to do is tweak one shot just the way you want it, and Color Match will apply them to your other shots as editable color adjustments. That way, if it's still...
April 4, 2018, 05:15 AM
https://www.provideocoalition.com/term-week-chroma...
In the digital age, so much of what we deal with in video is based on legacy baggage from the analog era of the twentieth century. Learn in this week’s animated glossary entry what chroma actually means, where it came from and why it still matters today.
April 3, 2018, 12:36 PM
http://www.postmagazine.com/Press-Center/Daily-New...
LONDON — At NAB 2018, FilmLight is launching BLG for Flame, the latest product in the company’s Baselight Editions range. BLG for Flame is a Linux-only plug-in for Autodesk Flame that applies a Baselight grade automatically, either from Baselight Linked Grade (BLG) files or directly from a Baselight scene.
March 22, 2018, 12:18 PM
http://www.postmagazine.com/Press-Center/Daily-New...
MADRID, SPAIN — SGO (www.sgo.es) has released a new version of Mistika VR, its fast stitching software. The new release brings more than 20 new features that significantly contribute to a more efficient workflow, as well as improve performance and quality, and accelerate collaboration among multiple computers.
March 13, 2018, 06:18 AM
https://www.pro-tools-expert.com/home-page/2018/2/...
Grouping instruments in Pro Tools brings along a great deal of control and functional commonality. But when recording, sometimes all you need is to recall a selection of tracks without grouping faders, mutes, and other functions. In this free video tutorial, we will show you how to quickly jump between groups of unrelated tracks and put them into Record Ready, Solo, Input, or Mute when tracking and overdubbing.
February 20, 2018, 05:50 PM
http://postperspective.com/behind-title-mti-senior...
NAME: Trent Johnson COMPANY: MTI Film CAN YOU DESCRIBE YOUR COMPANY? MTI Film works in multiple post production disciplines, including TV and feature post, film restoration and software development. AS A SENIOR COLORIST, WHAT WOULD SURPRISE PEOPLE THE MOST ABOUT WHAT FALLS UNDER THAT TITLE? Continue reading → February 20, 2018 The post Behind the Title: MTI Senior Colorist Trent Johnson appeared first on Randi Altman's postPerspective.
February 14, 2018, 10:21 AM
http://postperspective.com/behind-title-encore-rya...
NAME: Kevin Kirwan COMPANY: Encore Hollywood CAN YOU DESCRIBE YOUR COMPANY? Encore specializes in television post production. I’ve been at Encore forever — they have nice people and it’s a nice working environment. JOB TITLE: Colorist WHAT WOULD SURPRISE PEOPLE THE MOST ABOUT WHAT FALLS UNDER THAT TITLE? Continue reading → February 14, 2018 The post Behind the Title: Encore (and Ryan Murphy) Colorist Kevin Kirwan appeared first on Randi Altman's postPerspective.
January 31, 2018, 11:26 AM
https://www.aotg.com/red-weapon-with-monstro-8k-vv-sensor-at-bsc-expo/
Presentations during expo highlight benefits of high resolution together with RED's RAW workflow.
#red#camera#expo#red digital cinema
Daniel George McDonald sits down to discuss creating the finale for Cheer Season 2.
Gordon sits down with the editorial team of The Black Lady Sketch Show to discuss their approach to ...
Gordon sits down with Philip to discuss his work with Tyler Perry and his latest film A Madea Homeco...
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