To The Aotg.com Community,

It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.

Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.

We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.

Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.

Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.

I look forward to seeing everyone at the various post events worldwide in the coming years!

Yours truly,
Gordon Burkell
Aotg.com Founder

Apogee Ensemble Thunderbolt How to begin

November 30, 2014, 09:45 AM

http://www.pro-tools-expert.com/home-page/2014/11/...

The gang over at Apogee have made this helpful video for those using the Apogee Ensemble Thunderbolt.

Mesa redonda *Elegía para una escena perdida: ¿P

November 29, 2014, 04:43 PM

http://saeditores.org/Novedades/Mesa-redonda-Elegi...

En el marco del 29º Festival Internacional de Cine de Mar del Plata, el viernes 28 se llevó a cabo la mesa redonda Elegía para una escena perdida: ¿Por qué motivo una buena escena puede quedar fuera del armado final de una película?, organizada por la Comisión de Festivales, en la que participaron Enrique Angeleri (SAE), Alejandro Brodersohn (SAE), Alejandro Parysow (SAE) y Alberto Ponce (SAE)...

CONSTANTINE: VFX Breakdown by IPL

November 29, 2014, 04:43 PM

http://www.artofvfx.com/?p=10176

Important Looking Pirates purpose this nice VFX breakdown of their work on the episode 2 of CONSTANTINE...

Creating a Storyboard in FCPX

November 29, 2014, 04:43 PM

https://www.aotg.com/creating-a-storyboard-in-fcpx/

Creating a Storyboard in Final Cut Pro X “How do you tell a visual story without any visuals? This week on MacBreak Studio, Steve Martin from Ripple Training shows us how to do exactly that. Final Cut...

A-Z of Pro Tools - D is for Dynamic Transport

November 29, 2014, 04:43 PM

http://www.pro-tools-expert.com/home-page/2014/11/...

Dynamic transport is the perfect way for me to link this A-Z of Pro Tools post with last week’s Pro Tools Fundamentals post on playback modes.

iMovie 10.0.6 gets official ProRes, audio only exp

November 29, 2014, 09:53 AM

http://provideocoalition.com/atepper/story/imovie-...

With iMovie version 10.0.6, Apple’s free editing program now gets official support for ProRes, new export for custom H.264 export, and audio only export. Although previously there have been unofficial ways to use ProRes with iMovie, it is finally official. Also, learn how to set an iMovie 10.x project framerate to 23.976p, 25p, or 29.97p despite no official settings to do so in this version.

How to Create Timelapse Video with Adobe AE

November 29, 2014, 09:52 AM

http://wolfcrow.com/blog/how-to-create-timelapse-v...

Mark Wallace at Adorama shows us how to handle post production of time lapse shots using Adobe After Effects...

Frozen 2 Is in the Works,

November 29, 2014, 09:52 AM

http://www.thewrap.com/frozen-2-is-in-the-works-ac...

Is anyone surprised that Disney would be working on a sequel of the hit movie?

© 2007-2026 www.aotg.com Ver. 3.0 All Content created and posted by Art of the Guillotine users Art of the Guillotine graphics, logos, designs, page headers, button icons, scripts, and other service names are the trademarks of Art of the Guillotine Inc. Use of this material outside of this site is strictly prohibited.