To The Aotg.com Community,

It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.

Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.

We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.

Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.

Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.

I look forward to seeing everyone at the various post events worldwide in the coming years!

Yours truly,
Gordon Burkell
Aotg.com Founder

Disney+'s Safety Uses DaVinci Resolve Studio

December 22, 2020, 03:52 PM

https://www.aotg.com/disneys-safety-uses-davinci-resolve-studio/

Blackmagic Design announced today that the Disney motion picture “Safety” utilized a complete DaVinci Resolve Studio workflow from principal photography through final delivery, incorporating an innovative digital asset management (DAM) system on set built around Blackmagic Design’s switchers, recorders, routers and monitors. The film had its premiere on Disney+ this month.

#blackmagic design#davinci resolve studio#hyperdeck studio mini
VFX Legion Crafts FX for Songbird and OPSIS

December 22, 2020, 03:51 PM

https://www.aotg.com/vfx-legion-crafts-fx-for-songbird-and-opsis/

Visualization services company, OPSIS, recently called on VFX Legion to lend its talents to Songbird, director Adam Mason's dystopian thriller from producer Michael Bay. As the film’s primary visual effects vendor, OPSIS integrating Legion into its team, remote company's experience and ‘deep bench’ of home-based senior talent.

#vfx#cgi#compositing#animation#previs#visualization services#postvis
VFX Legion Crafts for Songbird and OPIS

December 22, 2020, 03:46 PM

https://www.aotg.com/vfx-legion-crafts-for-songbird-and-opis/

Visualization services company, OPSIS, recently called on VFX Legion to lend its talents to Songbird, director Adam Mason's new dystopian thriller from producer Michael Bay. As the film’s primary visual effects vendor, OPSIS provided end-to-end services - from Concept, Previs, Postvis and finalizing VFX shots to assembling the right talent for the job. OPSIS integrated Legion into its team, tapping the pioneering remote company's experience and ‘deep bench’ of home-based senior talent.

#vfx#cgi#compositing#animation#visualization services#postvis
The Crown Season Four

December 22, 2020, 02:19 PM

https://3dtotal.com/news/general/the-crown-season-...

Check out Framestore's work for the fourth season of The Crown.

Adobe Premiere Pro, Premiere Rush, and Audition Ge

December 22, 2020, 02:18 PM

https://www.4kshooters.net/2020/12/22/adobe-premie...

Premiere Pro, Premiere Rush, and Audition just got native support for new Apple M1 chipsets. These are available in public Beta today. The M1-native Premiere Pro Beta includes the core editing functions and support for the most widely used codecs: H.264, HEVC, and ProRes.

VFX Legion Provides OPSIS With VFX Support for Mic

December 22, 2020, 02:18 PM

https://www.broadcastbeat.com/vfx-legion-provides-...

Visualization services company, OPSIS, recently called on VFX Legion to lend its talents to Songbird, director Adam Mason’s new dystopian thriller from producer Michael Bay. As the film’s primary visual effects vendor, OPSIS provided end-to-end services – from Concept, Previs, Postvis and finalizing VFX shots to assembling the right talent for the job. OPSIS integrated Legion into its team, tapping the pioneering remote company’s...

Adobe Premiere Pro, Rush, Audition Beta now on App

December 22, 2020, 02:18 PM

https://www.slashgear.com/adobe-premiere-pro-rush-...

Apple’s ARM-based M1 Macs have definitely conquered the computing and tech news, at least until Cyberpunk 2077’s disastrous launch took over. The chip’s power and capabilities have definitely impressed both users and pundits but all that is for naught if apps don’t take advantage of it.

VFX notes from the ICG 'Mandalorian' s2 panel

December 22, 2020, 02:18 PM

https://beforesandafters.com/2020/12/22/vfx-notes-...

Today, Local 600/ICG Magazine hosted an amazing panel on s2 of The Mandalorian, hosted by Executive Editor David Geffner, which dived into the LED Volume work and VFX from this season.

WANTED: your story suggestions

December 22, 2020, 02:18 PM

https://beforesandafters.com/2020/12/22/wanted-you...

Hi readers, it’s been a big year at befores & afters. I’ve been aiming to post content pretty much daily here, there’s the brand new print publication (!), and technical stories have been ramping up on the site as well.

Creating VFX for the Dystopian thriller Songbird

December 22, 2020, 02:17 PM

https://postperspective.com/creating-vfx-for-the-d...

Visualization and visual effects company OPSIS recently called on VFX Legion to help on Songbird, director Adam Mason’s new dystopian thriller from producer Michael Bay. As the film’s primary visual effects vendor, OPSIS provided end-to-end services — from concept, previz and postviz to finalizing VFX shots. OPSIS integrated VFX Legion into its team, Continue reading → December 21, 2020 The post Creating VFX for the Dystopian thriller Songbird appeared first on postPerspective.

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