It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
July 30, 2014, 09:56 AM
http://www.postmagazine.com/Press-Center/Daily-New...
MYRTLE CREEK, OREGON — Artbeats ( www.artbeats.com) , a provider of royalty-free stock footage, announces the celebration of 25 years in business. Founded in 1989, with an opportunity to supply background images to the growing desktoppublishing industry , Artbeats has since grown considerably, providing royalty-free stock footage for broadcast, feature films, commercial, multimedia, game development and independent producers.
July 30, 2014, 09:56 AM
http://lesterbanks.com/2014/07/sean-frangella-shar...
a look at some popular after effects expressions you should be using in your workflow including math.round, time, loopout, and seed random
July 30, 2014, 09:40 AM
https://www.aotg.com/morganville-the-series-uses-davinci-resolve/
Fremont, CA - July 30, 2014 - Blackmagic Design today announced that “Morganville,” a new digital series based on the best selling “Morganville Vampires” novels by Rachel Caine, is being shot on Blackmagic Cinema Cameras, Production Camera 4Ks and Pocket Cinema Cameras and graded using DaVinci Resolve.
#blackmagic design#davinci resolve#blackmagic cinema camera#pocket cinema camera#production camera 4kJuly 30, 2014, 04:47 AM
http://www.macworld.com/article/2458763/premiere-p...
If you’ve been caught in an embarrassing situation by the local 6 o’clock news crew, then you’ll appreciate that professional video editors often must protect the innocent by obscuring people’s faces in broadcasts, and in some cases, they may need to avoid trademark infringement by blurring company or product logos. A new feature in Adobe Premiere Pro CC 2014 can make that a much less tedious task.
July 30, 2014, 04:47 AM
http://www.hollywoodreporter.com/behind-screen/kod...
Iconic film manufacturer Kodak is in negotiations with all of the major studios to make a last-ditch deal to keep celluloid alive as its use faces a steep decline in the motion picture and TV industry, much of which has shifted to capturing images digitally.
July 30, 2014, 04:46 AM
http://www.cgmeetup.net/home/deadpool-test-footage...
Deadpool movie test footage by Blur Studio, with Ryan Reynolds as Weapon X. It’s CG, but it’s just meant to test the timing of the dialogue, the music, and give everyone an idea of how the action should play out.
July 30, 2014, 04:46 AM
http://www.toolfarm.com/blog/entry/new_fxfactory_h...
Noise Industries FxFactory has a new color grading plug-in, Hawaiki AutoMatch. Auto Match Shots in FCP X, Premiere Pro, After Effects and Motion!
July 30, 2014, 04:46 AM
https://www.aotg.com/fiat-godzilla-behind-the-scenes/
Take an exclusive behind-the-scenes look at the collaboration between MPC Creative and The Richards Group to bring the FIAT spot to life, featuring the King of Monsters: Godzilla.
July 30, 2014, 04:46 AM
http://www.cgw.com/Press-Center/News/2014/Milk-Spi...
LONDON – Independent London VFX house Milk is creating the visual effects for Fox’s TV action-thriller “24: Live Another Day , ” part of its expanding roster of TV and feature projects, as it celebrates its debut year in business.
July 30, 2014, 04:46 AM
http://daredreamermag.com/2014/07/24/increase-clie...
If you’ve been a professional creative for more than a year, chances are at some point you’ve had a client not entirely happy with the final product. That’s bound to happen in your career, regardless of what amount of prep you do ahead of time. But it’s unfortunate and unnecessary if it happens due to a breakdown in communication or unmet expectations. It’s for that reason that years ago I started using a video brief (also known as a creative brief).
Daniel George McDonald sits down to discuss creating the finale for Cheer Season 2.
Gordon sits down with the editorial team of The Black Lady Sketch Show to discuss their approach to ...
Gordon sits down with Philip to discuss his work with Tyler Perry and his latest film A Madea Homeco...
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