It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
February 9, 2011, 08:33 AM
http://flickeringmyth.blogspot.com/2011/01/cutting...
Lee Smith began his career in the movie industry as a sound designer for internationally respected directors such as Phillip Noyce (Dead Calm), Jane Campion (The Piano), George Miller (Lorenzo’s Oil), and Peter Weir (Green Card). "I was fortunate enough to be working for a company that would let me do sound and picture work," Lee informs me.
February 9, 2011, 08:23 AM
http://provideocoalition.com/index.php/cmg_keyfram...
As we mentioned earlier, we’re creating a video training series based on our popular beginner’s book After Effects Apprentice, which progresses from "I haven’t used it before" through core skills including keyframing, masking, text animation, and 3D space to advanced techniques such as motion tracking, green screen, and expressions.
February 9, 2011, 08:20 AM
http://blog.devoncroft.com/2011/02/08/vitec-says-i...
UK-based Vitec Plc, which owns a large number of brands in the broadcast industry, said recently that it has had strong trading results and that it expects to report underlying pre-tax profits that are ahead of analyst consensus estimates.
February 8, 2011, 08:29 PM
http://bridgethink.org/blog/2010/03/18/podcast-wit...
February 8, 2011, 03:50 PM
http://www.facebook.com/home.php#!/event.php?eid=1...
SAGE UPGRADES presents: Digital Workflows Tracey Williams (Director of Post-Production, Refinery) will take us through the Digital Workflows of getting a film onto the big screen in digital format or 35mm print. Cost: - Students [R30,00] - SAGE members [R50,00] - Affiliates [R80,00] - R100,00 at the door Banking details: - ABSA Melville branch - South African Guild of Editors - Acc. # 4056302496 Please RSVP with your name & the workshop date to secure your place.
February 8, 2011, 12:18 PM
http://www.btlnews.com/awards/ace-honors-michael-b...
American Cinema Editors (ACE) will honor veteran editors Michael Brown, A.C.E. and Michael Kahn, A.C.E. with the organization’s prestigious Lifetime Career Achievement Award at the 61st Annual ACE Eddie Awards, Feb. 19 in the International Ballroom of the Beverly Hilton Hotel. The Lifetime Career Achievement Award honors veteran editors whose body of work and reputation within the industry is outstanding.
February 8, 2011, 10:47 AM
http://bourkepr.typepad.com/my_weblog/2011/02/irid...
Since 1998, TRIXTER has been creating outstanding visual effects and digital character animation for feature films, television and commercials. From the early days, TRIXTER established itself as a major player in the field of emotive character animation, both for fully computer generated animated features as well as live-action productions. In the past few years, TRIXTER has been broadening their expertise into visual effects and...
February 8, 2011, 09:29 AM
http://www.postmagazine.com/Publications/Post-Maga...
"Steven was looking for an editor after Jaws," recalls film editor Michael Kahn, as to how his creative partnership started 34 years ago with moviemaker Steven Spielberg. "[Irvin] Kershner and Owen Roizman, the DP, recommended me to Steven. Steven had probably talked to every editor in town by then, but he talked to me. It was a short visit, but it worked out well. He called me and I was on Close Encounters [ of the Third Kind]."
February 8, 2011, 09:28 AM
http://jeffvlog.wordpress.com/2011/02/08/larry-jor...
Here’s a large list of free FCP articles written by Larry Jordan, a pro in the industry. Click on the logo link below for a more expanded list of his articles, including...
February 8, 2011, 09:25 AM
http://www.postmagazine.com/Publications/Post-Maga...
Daniel George McDonald sits down to discuss creating the finale for Cheer Season 2.
Gordon sits down with the editorial team of The Black Lady Sketch Show to discuss their approach to ...
Gordon sits down with Philip to discuss his work with Tyler Perry and his latest film A Madea Homeco...
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