It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
September 8, 2016, 09:29 AM
http://www.artofvfx.com/star-trek-beyond-seth-hill...
Seth Hill joined Atomic Fiction in 2013 as a matte painter. He has worked on films such as TRANSFORMERS: AGE OF EXTINCTION, GAME OF THRONES or THE WALK. He became Environment Supervisor on DEADPOOL.
September 7, 2016, 04:22 PM
http://www.studiodaily.com/2016/09/behind-the-magi...
Industrial Light and Magic — the facility that was founded by George Lucas in 1975 to make effects for the original Star Wars — has edited a bang-up VFX breakdown reel showing off its work on last year's Star Wars: The Force Awakens. (See … more » The post Behind the Magic: The Visual Effects of Star Wars: The Force Awakens appeared first on Studio Daily.
September 7, 2016, 05:11 AM
https://www.aotg.com/how-vfx-artists-crafted-the-force-awakens/
ILM has unveiled the official "sizzle reel," for Star Wars: The Force Awakens, showing how it did major visual effects for the movie. If this sounds familiar, an apparently unauthorized making-of video made the rounds early this year, but was quickly pulled. The franchise is the gold standard for VFX, though, so fans can once again get a look behind the curtain, seeing how shots were created at houses in San Francisco, Singapore, Vancouver and London.
September 6, 2016, 07:23 PM
https://www.inverse.com/article/20582-best-tv-vfx-...
fter decades as cinema’s cheaper and shoddier younger sibling, television has come into its own. Much of the conversation around this era of Peak TV focuses on the small screen’s transformation into the preferred storytelling medium, but the once-gaping divide between big screen and TV’s visual effects has also considerably narrowed.
September 6, 2016, 12:55 PM
http://www.postmagazine.com/Press-Center/Daily-New...
HUDSON, MA — At IBC 2016 in Amsterdam, storage solutions provider Facilis Technology (facilis.com) will demonstrate a virtual reality 360 3D playback system using its TerraBlock shared storage. Content creators are increasingly looking at VR as the next big challenge that threatens to grind post production pipelines to a halt. Facilis Technology has responded with its latest solid state drive technology, which it has incorporated within the Hybrid24 and SSD8 products, delivering high-resol...
September 6, 2016, 12:54 PM
http://www.creativeplanetnetwork.com/news/post/dig...
Post house Digital Domain helped deliver the visual effects that are part of Spike Jonze's mesmerizing three-and-a-half-minute perfume ad for Kenzo World.
September 6, 2016, 12:54 PM
https://www.aotg.com/the-vfx-of-star-wars-the-force-awakens/
We are pleased to share a sample of the visual effects work created for Star Wars: The Force Awakens. The history of ILM leads all the way back to 1975 and origins of Star Wars and The Force Awakens gave us the opportunity to once again push the boundaries of what is possible in character animation and visual effects while combining cutting edge practical effects and physical sets.
September 6, 2016, 05:40 AM
http://www.redsharknews.com/technology/item/3747-h...
As the last major consumer electronics show before Christmas, the Internationale Funkausstellung (IFA) show in Berlin carries considerable momentum into the present-giving season and electronics firms were focussing on Virtual Reality and HDR screens to turn consumer heads. IFAHDRVRVR headsetsConsumer ElectronicsOLEDOLED 4KOLED TV
September 5, 2016, 09:29 AM
https://labs.chaosgroup.com/index.php/cg-garage-po...
Director David Chontos has brought his unique vision to a number of projects, including bonkers Coca-Cola advertisement “The Happiness Factory,” trailers for games including “Clash of Clans” and “ReCore,” and his atmospheric short film “Sisters.” His next project, Kismet, takes him into virtual reality via a spookily accurate fortune teller.
September 5, 2016, 09:29 AM
http://www.artofvfx.com/suicide-squad-seth-maury-v...
In 2011, Seth Maury talked to us about the work of MPC on SHERLOCK HOLMES: A GAME OF SHADOWS. He then took care of the visual effects of MALEFICENT, NIGHT AT THE MUSEUM: SECRET OF THE TOMB and THE FINEST HOURS.
Daniel George McDonald sits down to discuss creating the finale for Cheer Season 2.
Gordon sits down with the editorial team of The Black Lady Sketch Show to discuss their approach to ...
Gordon sits down with Philip to discuss his work with Tyler Perry and his latest film A Madea Homeco...
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