It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
September 5, 2016, 09:29 AM
http://www.artofvfx.com/game-of-thrones-season-6-v...
Nice VFX breakdown Image Engine about their work on the sixth season of GAME OF THRONES...
September 5, 2016, 06:37 AM
http://www.artofvfx.com/pepsi-strong-momotaro-epis...
Check this VFX Breakdown by Alt.vfx about their work on Pepsi Strong – Momotaro Episode 4:
September 3, 2016, 05:14 AM
http://www.animationmagazine.net/vfx/new-vfx-progr...
Disney has released a new batch of hi-res progression stills and animated GIFs showing how director Jon Favreau and his innovative virtual production team brought the nearly full CG world of The Jungle Book to life. Check them out below, read our April issue feature story on the film’s VFX, and don’t forget to pick up The Jungle Book on Blu-ray, DVD or On-Demand — available now.
September 2, 2016, 05:46 AM
https://www.digimediapros.com/ves-announces-rules-...
The Visual Effects Society has updates its Rules and Procedures and provided short summaries for each of its categories. They have also reorganized some of the categories to open up the awards for more talent.
September 2, 2016, 05:44 AM
https://www.aotg.com/nine-lives-vfx-breakdown-by-edi/
EDI have released this VFX breakdown about their work on NINE LIVES...
September 2, 2016, 05:44 AM
http://www.3dtotal.com/interview/869-interview-wit...
Paul Braddock is a seasoned VFX artist with 14 years' experience, currently working full-time for Animal Logic in Sydney, where he has worked since 2002. His role there varies from project to project, switching between production and development work. Outside of his position at Animal Logic, he stays active in his own personal projects, which recently have revolved around 3D printing.
September 1, 2016, 12:28 PM
http://postperspective.com/fusefx-moves-la-headqua...
Ten-year-old FuseFX, which was founded by VFX supervisor David Altenau, has moved its headquarters to a new 27,000-square-foot facility in the Sherman Oaks area of Los Angeles. The two-building campus can accommodate FuseFX’s 150-person onsite staff and features a 10-gigabit infrastructure capable of managing 4K media and other large data files in realtime; Continue reading →September 1, 2016
September 1, 2016, 09:32 AM
http://www.postmagazine.com/Press-Center/Daily-New...
LOS ANGELES — Visual effects studio FuseFX (http://fusefx.com) has moved its headquarters to a 27,000-square-foot facility on Califa Street in the Sherman Oaks area of Los Angeles. Comprising two contiguous free-standing structures, the new site can accommodate the company’s current 150-person staff. The new headquarters is home to four screening rooms and features a 4K infrastructure, dedicated broadband connections to the company’s operations in New York and Vancouver, and room for f...
August 31, 2016, 12:13 PM
http://www.studiodaily.com/2016/08/the-man-in-the-...
"Imagine my iPad filling up with swastikas like crazy," says VFX supervisor Jeff Baksinski. He's remembering the process of researching Nazi styles and designs for the pilot episode of Amazon original series The Man in the High Castle, which imagines an … more » The post The Man in the High Castle VFX: Alternate-History Architecture appeared first on Studio Daily.
August 31, 2016, 12:13 PM
http://www.hollywoodreporter.com/behind-screen/vfx...
Dave Rosenbaum—a production exec who had been with Illumination Entertainment since its inception—has been named chief creative officer at visual effect company Cinesite.
Daniel George McDonald sits down to discuss creating the finale for Cheer Season 2.
Gordon sits down with the editorial team of The Black Lady Sketch Show to discuss their approach to ...
Gordon sits down with Philip to discuss his work with Tyler Perry and his latest film A Madea Homeco...
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