It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
March 19, 2014, 12:36 PM
http://www.creativebloq.com/career/favours-win-fre...
I never thought I'd ever be able to hack being a full-time freelancer. Doing your own accounts, chasing invoices, contracts, legalities, the elusive concept of quoting for a job - and that's all assuming you actually had work to quote for. Fresh out of university, I worked full-time at a desk in a small corporate production company. One of my colleagues was an ex-freelancer, and even the thought of it terrified me. I had this negative stigma that freelancers were essentially just lazy people - p...
March 19, 2014, 12:36 PM
http://cgi.tutsplus.com/tutorials/tuts-hollywood-m...
In this tutorial, we're going to be looking at the title animation style of the movie "X-Men: Days of Future Past". We will make this interesting title style using Cinema 4d for the modeling and animation of the logo together with an incredible lights system.
March 19, 2014, 12:36 PM
https://www.youtube.com/watch?v=-RNfwobFmCo
Zbrush Tutorial: Sculpting the Head Using Dynamesh 06 Link to reference Images: https://drive.google.com/file/d/0B7-kmFd_jXUoaVJNdC14UEQ4V00/edit?usp=sharing
March 19, 2014, 12:36 PM
https://www.youtube.com/watch?v=ZZft5DRrPPk
Want to know more about 3ds Max 2015? Visit: http://area.autodesk.com/3dsmax2015 It's all about performance! Navigation, selection and viewport texture bakin...
March 19, 2014, 12:35 PM
http://www.btlnews.com/awards/deluxe-entertainment...
Cyril Drabinsky, president and chief executive officer of Deluxe Entertainment Services Group, will be honored with the Bill Hilson Award from the Canadian Society of Cinematographers. The award will be presented at the CSC gala on March 22 at Toronto’s Westin Harbour Castle.
March 19, 2014, 12:04 PM
http://jonnyelwyn.co.uk/thunderbolt/davinci-resolv...
Check out the latest updates in version 10.1.3 of DaVinci Resolve as well as a fistful of Resolve 10 tutorials, plus a whole lot of chat about the best Mac Pro configuration for grading in Resolve.
#mac pro#colour grading tutorials#davinci resolve 10March 19, 2014, 09:14 AM
http://jonnyelwyn.co.uk/film-and-video-editing/und...
Get a better understanding of exactly how FCPX works and what it's doing in this round up of a whole host of FCPX tutorials, tips and workflow insights.
#workflow#media management#fpcxMarch 19, 2014, 07:55 AM
http://www.fcp.co/final-cut-pro/tutorials/1373-arc...
A new episode of MacBreak Studio and this week we have an updated way to copy a Library without taking optimised and proxy media over.
March 19, 2014, 07:54 AM
http://dvcreators.net/apple-final-cut-pro-x-whats-...
Edit multichannel audio faster than ever. A simple keystroke reveals separate audio channels when you need them and collapses them when you don’t — right in the timeline. Easily disable individual channels or select ranges for fine control of timing and volume.
March 19, 2014, 07:54 AM
http://www.productionhub.com/blog/post/5-tips-for-...
Learn from Matt Drake and his DP Matt Novello, the team behind Bullet Theory Films. They recently shot a commercial for Sinter Fire Bullets’ frangible ammo. The team wanted to avoid using CGI effects, so they chose to shoot with the Phantom v711 at extremely high frame rates (up to 80,000 fps) to capture the live bullets.
Daniel George McDonald sits down to discuss creating the finale for Cheer Season 2.
Gordon sits down with the editorial team of The Black Lady Sketch Show to discuss their approach to ...
Gordon sits down with Philip to discuss his work with Tyler Perry and his latest film A Madea Homeco...
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