To The Aotg.com Community,
It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
#AvidAtSundance | Reynolds Barney, editor of Ms. P
January 30, 2019, 01:24 PM
https://www.youtube.com/watch?v=bNWqP3jKS0c
Reynolds Barney is the editor of "Ms. Purple", a film in Sundance's Dramatic Competition. VISIT https://www.avid.com/mediacomposer Follow Avid: Facebook: https://facebook.com/avid Instagram: https://instagram.com/avidtechnology Twitter: https://twitter.com/avid LinkedIn: https://www.linkedin.com/company/avid-technology/ Snapchat: https://www.snapchat.com/add/avidtechnology
Everything You need to know about the Kuleshov Eff
January 30, 2019, 01:23 PM
https://nofilmschool.com/Kuleshov-effect-definitio...
We all know that film is a visual medium. But we often forget that it's not that old. We've only had Hollywood movies for about 100 years. And while storytelling is as old as time, the way we design and edit movies and television to tell those stories is relatively new. Techniques are developed all the time.
Editor Johanna Giebelhaus on Toni Morrison
January 30, 2019, 10:24 AM
https://filmmakermagazine.com/106832-editor-johann...
Drawing on his longtime friendship with the legendary novelist, photographer and documentarian Timothy Greenfield-Sanders’ Toni Morrison: The Pieces I Am paints a full, intimate portrait of her life and work.
Digital Production Buzz – January 31, 2019
January 30, 2019, 05:47 AM
https://www.digitalproductionbuzz.com/2019/01/digi...
Tonight, we cover a range of topics from cosplay to color correction to archiving. Plus, Michael Kammes provides new suggestions to speed our workflow. Join host Larry Jordan as he talks with Ted "Evil Ted" Smith, Roger Mabon, Michael Kammes, Mike Nuget and James DeRuvo. From Feature Films to Cosplay Props A Better Way to Archive Assets Better Ideas to Improve Workflow FilmLight Makes Color Grading Flexible The Weekly doddleNEWS Update The post Digital Production Buzz – Januar...
#AvidAtSundance | Matt talks with Josh Earl, ACE,
January 30, 2019, 05:47 AM
https://www.youtube.com/watch?v=C2qUWRIa9mI
Let's connect with Matt Feury at Sundance 2019. He talks with Josh Earl, ACE. editor of “Ski Bum : The Warren Miller Story”. VISIT https://www.avid.com/mediacomposer Follow Avid: Facebook: https://facebook.com/avid Instagram: https://instagram.com/avidtechnology Twitter: https://twitter.com/avid LinkedIn: https://www.linkedin.com/company/avid-technology/ Snapchat: https://www.snapchat.com/add/avidtechnology
Cutting Ocasio Cortez Before Her Fame...
January 29, 2019, 01:53 PM
https://nofilmschool.com/sundance-editor-alexandri...
How do you edit a film about a public sensation before she’s become one? And how do you edit the story of four different women running for office, without knowing if any of them will win? Robin Blotnick knows the answer, and it involves organization, a ton of scene cards, and imaginative problem-solving when it comes to envisioning the future.
When someones tries to explain a computer problem
January 29, 2019, 01:28 PM
http://renderplease.tumblr.com/post/182400496625
Surprising Anti-racist Short Movie Edited with Fin
January 29, 2019, 10:07 AM
http://www.fcp.co/final-cut-pro/articles/2144-surp...
A year on from Oscar winning film The Silent Child, another FCPX edited entry called Skin is in the last nominees for the 2019 best live action short film. Ronny Courtens spent time with the editor, Yuval Orr.
How to Travel in Time
January 29, 2019, 10:07 AM
https://cuttingroomtales.wordpress.com/2019/01/29/...
The Art of the Flashback Flashbacks are on my mind at the moment. I’m currently working on two feature projects – one as writer, the other as editor – which are structured around multiple time periods, so my brain has got well-used to jumping around in time. Flashbacks are pretty common these days, but … Continue reading →
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