It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
July 29, 2019, 10:11 AM
https://www.provideocoalition.com/after-effects-cl...
One of the main reasons behind the creation of Colorama is to perform what’s known as “color cycling” effects. Although often associated with psychedelic animations, it’s actually an old-school technique often used in video games to add the appearance of animation to a portion of a still image such as water or the sky. Here’s... The post After Effects Classic Course: Colorama 3 – Color Cycling appeared first on ProVideo Coalition.
July 28, 2019, 04:28 AM
https://www.youtube.com/watch?v=3FuGhbInKp8
This is an excerpt of a recent PowerUP webinar showing how to use HDR (High Dynamic Range) media in Apple Final Cut Pro X: https://larryjordan.com/store/274-using-hdr-media-in-adobe-premiere-pro-cc/ High Dynamic Range (HDR), RAW, sLog, vLog, HDR, 10-bit, 12-bit… With all these different high-end video formats, it’s easy to get confused. How do you work with them in Premiere Pro CC? In this short video excerpt, watch as Larry Jordan illustrates how to create custom LUTs (color Look-...
July 27, 2019, 07:02 AM
https://www.youtube.com/watch?v=w-QsGkGnXuw
This is an excerpt of a recent PowerUP webinar showing how to use HDR (High Dynamic Range) media in Apple Final Cut Pro X: https://larryjordan.com/store/274-using-hdr-media-in-adobe-premiere-pro-cc/ High Dynamic Range (HDR), RAW, sLog, vLog, HDR, 10-bit, 12-bit… With all these different high-end video formats, it’s easy to get confused. How do you work with them in Premiere Pro CC? In this short video excerpt, watch as Larry Jordan defines and illustrates color spaces and LUTs; and...
July 24, 2019, 10:02 AM
https://www.aotg.com/quezons-game-edited-and-graded-in-davinci-resol/
Blackmagic Design announced today that Matthew Rosen’s film “Quezon’s Game” was shot using Blackmagic Design cameras, with editing and color correction done in DaVinci Resolve Studio. The Philippine historical drama was released worldwide in May of 2019 and has received more than 20 international film awards.
#blackmagic design#davinci resolve studioJuly 24, 2019, 05:49 AM
http://www.postmagazine.com/Press-Center/Daily-New...
LONDON — Colorist Jason Wallis has returned home to Electric Theatre Collective’s London studio after two years at the company’s Los Angeles office. Wallis played a key role in driving the LA studio’s color team, and worked on projects such as Lil Nas X’s hit video Old Town Road, Levi’s Use Your Vote, and Vince Staples music video Fun!.
July 19, 2019, 02:08 PM
https://www.claytonasbury.com/blog/pixeltools-colo...
We all want to save time when color grading in Davinci Resolve and PixelTools PowerGrades Collection lets you create unique and adjustable looks quickly.
#color grading#davinci resolve#post production#filmmakingJuly 18, 2019, 02:49 PM
https://jonnyelwyn.co.uk/film-and-video-editing/ne...
Learn about the new colour grading and dailies workflow features in Assimilate's latest update to it's respected finishing software, SCRATCH 9.1
#assimilate#dailies#finishing#scratch#dit#colour grading#online editingJuly 18, 2019, 05:50 AM
http://www.postmagazine.com/Press-Center/Daily-New...
LOS ANGELES — Gregory Reese has joined the recently-established, stand-alone grading and finishing studio a52 Color (www.a52.com/color). Reese established a name for himself over the course of eight years as a colorist at The Mill. He has colored a spectrum of commercials for athletic brands, including Nike and Reebok, as well as campaigns for Audi, Apple, CoverGirl, GMC, Progressive and Samsung.
July 17, 2019, 09:56 AM
http://manhattaneditworkshop.blogspot.com/2019/07/...
4 FILMS EVERY COLORIST SHOULD SEE (Courtesy of Filmmaker U Blog - go to https://bit.ly/2XUKur4)Mad Max: Fury Road is continuously referred to as a stunningly beautiful film. John Seale, the cinematographer, was nominated for an Oscar and colorists everywhere were looking at Eric Whipp’s work on the film as a triumph for color correction. With so many people looking to Eric’s work as a colorist for inspiration, we decided to ask him what films he feels every colorist must-see. Aft...
July 16, 2019, 12:26 PM
https://postperspective.com/a52-color-adds-coloris...
Colorist Gregory Reese has joined LA-based grading and finishing studio a52 Color, which is led by executive producer Thatcher Peterson and includes colorists Paul Yacono and Daniel de Vue. Reese comes to a52d Color after eight years at The Mill. While there he colored a spectrum of commercials for athletic brands, Continue reading → July 16, 2019 The post a52 Color adds colorist Gregory Reese appeared first on postPerspective.
Daniel George McDonald sits down to discuss creating the finale for Cheer Season 2.
Gordon sits down with the editorial team of The Black Lady Sketch Show to discuss their approach to ...
Gordon sits down with Philip to discuss his work with Tyler Perry and his latest film A Madea Homeco...
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