It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
July 16, 2019, 07:27 AM
https://www.aotg.com/colorspace-4k-hdr-vehicle-uses-davince-resolve/
Blackmagic Design announced today that Picture Block used DaVinci Resolve Studio and DaVinci Resolve Mini Panel to provide HDR color correction and editing as part of the new COLORSPACE 4K HDR screening room vehicle. COLORSPACE also includes a 12G and 4K workflow using a number of other Blackmagic Design products.
#blackmagic design#davinci resolve studio#davinci resolve mini panelJuly 16, 2019, 06:12 AM
https://www.premiumbeat.com/blog/choosing-kodak-mo...
Although digital has largely taken over as the primary capture format, many filmmakers are now choosing to shoot their projects on film. Whether you’re looking for a specific creative aesthetic or just enjoying the process of film, understanding film stock options will help you in this stage of the creative process.
July 15, 2019, 12:33 PM
https://postperspective.com/colorist-chat-the-refi...
This Cape Town, South African-based artist says that “working creatively with a director and DP to create art is a privilege.” NAME: Colorist Kyle Stroebel COMPANY: The Refinery in Cape Town, South Africa CAN YOU DESCRIBE YOUR COMPANY? We are a full-service post company in the heart of Cape Town. Continue reading → July 15, 2019 The post Colorist Chat: The Refinery’s Kyle Stroebel appeared first on postPerspective.
July 13, 2019, 08:27 AM
https://www.studiodaily.com/2019/07/gregory-reese-...
Gregory Reese has become the newest colorist on the roster at Santa Monica’s a52 Color. Reese arrives at a52 after working as a colorist at The Mill for eight years, spending some of that time with a52 Color Executive Producer Thatcher Peterson, also a veteran of The Mill. His resume includes commercial credits for brands […] The post Gregory Reese Joins a52 Color appeared first on Studio Daily.
July 10, 2019, 12:20 PM
http://www.btlnews.com/community/whos-where/light-...
Light Iron, a Panavision company, has announced that award-winning colorist Scott Klein is joining the company. As supervising colorist of numerous episodic series, Klein joins a roster of Light Iron artists located in both Los Angeles and New York who provide collaborative expertise on feature films, episodic series and music videos. Also joining Klein are […] The post Light Iron Enlists Industry Colorist Scott Klein appeared first on Below the Line.
July 9, 2019, 09:33 AM
https://postperspective.com/veteran-episodic-color...
Colorist Scott Klein has joined post house Light Iron, which has artists working on feature films, episodic series and music videos at their Los Angeles- and New York-based studios. Klein brings with him 40 years of experience supervising a variety of episodic series. “While Light Iron was historically known for its capabilities with feature films, Continue reading → July 9, 2019 The post Veteran episodic colorist Scott Klein joins Light Iron appeared first on postPerspective.
July 8, 2019, 05:42 PM
https://www.aotg.com/light-iron-enlists-industry-colorist-scott-klein-2/
Post Facility Also Expands Footprint to Accommodate Growing Business
#color grading#post production#colorist#panavision#light ironJuly 3, 2019, 09:06 AM
https://www.broadcastbeat.com/filmlight-finishing-...
LONDON — 3 July, 2019: Two of the top prizes at this year’s Cannes Film Festival have gone to ground-breaking movies which rely on FilmLight colour science for their distinctive looks. Parasite, from Korean director Bong Joon Ho, took the Palme d’Or, while director Mati Diop won the Grand Prix for Atlantique (Atlantics), the ...
June 28, 2019, 07:36 AM
https://www.aotg.com/duplitech-relies-on-cintel-for-hdr-film-scanning/
Blackmagic Design today announced that Duplitech, one of L.A.’s most respected independent media service labs, is using a host of Blackmagic Design gear, including Cintel Scanner 2 for high dynamic range (HDR) film scanning. Duplitech found that Cintel Scanner 2 performs exceptionally well on 16mm film, having recently worked with the element while onboarding the “Blondie” television series from the 1950s.
#blackmagic design#davinci resolve studio#cintel scanner 2June 27, 2019, 06:29 AM
https://www.definitionmagazine.com/journal/2019/6/...
As part of our series profiling women in the FILM industry, we showcase the female colourists on our radar...
Daniel George McDonald sits down to discuss creating the finale for Cheer Season 2.
Gordon sits down with the editorial team of The Black Lady Sketch Show to discuss their approach to ...
Gordon sits down with Philip to discuss his work with Tyler Perry and his latest film A Madea Homeco...
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