It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
May 23, 2019, 08:18 AM
https://postperspective.com/behind-the-title-edito...
NAME: New York-based Grace Novak WHAT’S YOUR JOB TITLE? Editor and Colorist WHAT DOES THAT ENTAIL? I work with directors/clients to make their project come to life using an editing program. Then during the color process, I bring it even closer to their aesthetic vision. Continue reading → May 22, 2019 The post Behind the Title: Editor and colorist Grace Novak appeared first on postPerspective.
May 22, 2019, 02:31 PM
https://www.aotg.com/award-contenders-enlist-light-iron-for-post/
Light Iron, a Panavision company specializing in post production services, is again playing an important collaborative role with notable episodic series this season.
#color grading#awards#panavision#light iron#post servicesMay 22, 2019, 07:53 AM
https://www.aotg.com/the-birthdays-tour-shot-with-blackmagic-raw/
Blackmagic Design announced today that URSA Mini Pro 4.6K and Pocket Cinema Camera 4K were used for live shooting of The Birthday's TOUR 19 NIGHTS 2018 AUTUMN, the sold out recent tour by the popular UNIVERSAL SIGMA Japanese rock band.
#blackmagic design#davinci resolve studio#blackmagic rawMay 20, 2019, 02:06 PM
https://photography.tutsplus.com/tutorials/top-3-v...
LUTs are versatile presets used by popular video editing software like Adobe Premiere and Final Cut Pro. When applied, they instantly transform the look and feel of any clip. They also help you save time and effort by removing the need for advanced edits. This Top 3 feature focuses on some of the best video LUTs available on Envato Elements.
May 17, 2019, 08:03 PM
https://www.studiodaily.com/2019/05/a52-ups-color-...
In a nod to the increasing demand for top-shelf color services in the era of peak TV — especially from the 4K-friendly and HDR-hungry likes of Netflix and Amazon Prime — Santa Monica VFX studio A52 has launched a new color-grading and finishing department, A52 Color. Colorists Paul Yacono and Daniel de Vue will be operating […] The post A52 Ups Its Color Game with Paul Yacono, Daniel de Vue, and Dedicated, HDR-Ready Studio Space appeared first on Studio Daily.
May 17, 2019, 06:58 AM
https://www.aotg.com/tbs-sparkle-inc-installs-cintel-scanner/
Blackmagic Design announced today that TBS SPARKLE, Inc. has installed a Cintel Scanner and DaVinci Resolve Studio to digitize a huge amount of 16mm footage from 1955 to the 1980s. This will include the digitization of more than 3,000 films, documentaries and news shows, as well as other footage shot by TBS SPARKLE, Inc.
#blackmagic design#davinci resolve studio#cintel scannerMay 16, 2019, 05:39 PM
https://www.studiodaily.com/2019/05/colorist-jerem...
Panavision’s Light Iron said Jeremy Sawyer has come back to Light Iron as a senior colorist. A 20-year veteran of the color suite, Sawyer has been a reliable presence in the era of peak TV, working on high-profile series including AMC’s The Walking Dead, Showtime’s The Affair, and Netflix’s Easy. Sawyer’s time in the industry includes stints at Finish Post […] The post Colorist Jeremy Sawyer is Back at Light Iron appeared first on Studio Daily.
May 16, 2019, 12:52 PM
https://www.aotg.com/light-iron-adds-colorist-jeremy-sawyer/
Light Iron, a Panavision company, has announced Jeremy Sawyer is returning to its Los Angeles facility as a senior colorist.
#color grading#colorist#panavision#light ironMay 16, 2019, 04:15 AM
http://www.postmagazine.com/Press-Center/Daily-New...
LOS ANGELES — Jeremy Sawyer is returning to Panavision’s Light Iron (www.lightiron.com) facility in Los Angeles as a senior colorist. He brings over 20 years of color finishing experience to his role, and previously worked at the studio from 2015 to 2018. While there, he contributed to projects that include I’m Dying Up Here, Easy, The First, Goliath, Mr. Mercedes and The Walking Dead.
May 11, 2019, 07:13 AM
http://www.postmagazine.com/Press-Center/Daily-New...
LOS ANGELES — Tony Dustin has joined the Deluxe Post Production (www.bydeluxe.com) creative team as senior colorist, working from the Efilm and Encore post facilities in Hollywood. He brings more than 20 years of experience in color grading and a credit list that includes work on the Netflix dramatic series Sense8, the Hulu horror series Castle Rock, the Best Picture Academy Award nominee Silver Linings Playbook and Clint Eastwood’s Gran Torino.
Daniel George McDonald sits down to discuss creating the finale for Cheer Season 2.
Gordon sits down with the editorial team of The Black Lady Sketch Show to discuss their approach to ...
Gordon sits down with Philip to discuss his work with Tyler Perry and his latest film A Madea Homeco...
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