To The Aotg.com Community,

It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.

Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.

We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.

Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.

Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.

I look forward to seeing everyone at the various post events worldwide in the coming years!

Yours truly,
Gordon Burkell
Aotg.com Founder

Tony Dustin joins Efilm as senior colorist

May 9, 2019, 01:25 PM

https://postperspective.com/tony-dustin-joins-efil...

Tony Dustin has joined the Deluxe Post Production creative team as senior colorist at Hollywood’s  Efilm. He will also be doing some work for sister company Encore. With more than 20 years of experience in color grading, Dustin’s work spans styles and genres, with a talent for revealing details in the darker palettes of many of his projects. Continue reading → May 9, 2019 The post Tony Dustin joins Efilm as senior colorist appeared first on Randi Altman's postPerspective.

Color Grading Your Short In Resolve

May 6, 2019, 12:42 PM

https://nofilmschool.com/color-grading-your-short-...

In low-budget filmmaking, there are two major hurdles in attaining the ever-elusive status of “high production value.” Namely, sound and color. If your sound lacks clarity and particularly if your color lacks depth, then your film lacks luster and falls short of that “professional” sheen.

NAB 2019: FilmLight

May 2, 2019, 09:18 AM

http://www.postmagazine.com/Video-Center/Gallery/N...

FilmLight had a number of grading solutions on display at NAB. This video highlights the company’s Prelight, Daylight and Baselight tools, as well as solutions for Avid, Nuke and Flame workflows. In addtion, colorists Doug Delaney (Captain Marvel) and Andrea Chlebak (Elysium, Chappie) stop by. Replay NAB2019 with FilmLight from FilmLight on Vimeo.

Little’s dailies-to-ACES finishing workflow via

May 1, 2019, 12:39 PM

https://postperspective.com/littles-dailies-to-ace...

FotoKem’s Atlanta and Burbank facilities both worked on the post production — from digital dailies through finishing with a full ACES finish — for Universal and Legendary Pictures’ film, Little. From producer Will Packer (Girls Trip, Night School, the Ride Along franchise) and director/co-writer Tina Gordon (Peeples,  Continue reading → May 1, 2019 The post Little’s dailies-to-ACES finishing workflow via FotoKem appeared first on Randi Altman's postPerspective.

Colorist Peter Doyle joins Warner Bros. De Lane Le

April 29, 2019, 01:20 PM

https://postperspective.com/colorist-peter-doyle-j...

World renown and respected supervising colorist Peter Doyle, whose large body of work includes on The Lord of the Rings trilogy, has joined London’s Warner Bros. De Lane Lea’s (WBDLL) new picture services division. Doyle brings with him extensive technical and creative expertise acquired over a 40- year career. Doyle has graded 12 of the 100 highest-grossing films of all time including the Harry Potter film series. Continue reading → April 29, 2019 The post Colorist Peter Doyle join...

Chimney Group Continues Expansion with Resolve

April 29, 2019, 07:45 AM

https://www.aotg.com/chimney-group-continues-expansion-with-resolve/

Blackmagic Design has today announced that Chimney Group, one of Europe's largest post production facilities, has continued to invest in DaVinci Resolve Studio as part of its rapid expansion into regions including the US, South East Asia, and Australia.

#blackmagic design#davinci resolve studio
Keep Me Posted adds senior colorist Aidan Stanford

April 26, 2019, 10:54 AM

http://www.postmagazine.com/Press-Center/Daily-New...

BURBANK, CA — Colorist Aidan Stanford has joined FotoKem’s Keep Me Posted (http://kmppost.com), which specializes in creative and technical episodic post production services. With over 25 years of experience, Stanford brings expertise that includes proficiencies on a range of color grading systems. 

Aidan Stanford Joins Keep Me Posted

April 26, 2019, 10:50 AM

https://www.aotg.com/aidan-stanford-joins-keep-me-posted/

Colorist Aidan Stanford has joined Keep Me Posted (KMP), a FotoKem company specializing in creative and technical episodic post-production services.

#post production#colorist#fotokem#keep me posted
Colorist Andreas Brueckl on why he has embraced AC

April 26, 2019, 06:20 AM

https://postperspective.com/colorist-andreas-bruec...

By Debra Kaufman Senior colorist Andreas Brueckl has graded a wide range of projects, from feature films to over 1,000 commercials, in Europe, the Middle East and Asia. He began his career at Bavaria Film/Cinepost in Germany, then freelanced across Europe and the Middle East before landing at 1000Volt in Istanbul, where he was lead colorist for almost four years. Continue reading → April 23, 2019 The post Colorist Andreas Brueckl on why he has embraced ACES workflow appeared first on Ra...

1 55 56 57 58 59 282

© 2007-2026 www.aotg.com Ver. 3.0 All Content created and posted by Art of the Guillotine users Art of the Guillotine graphics, logos, designs, page headers, button icons, scripts, and other service names are the trademarks of Art of the Guillotine Inc. Use of this material outside of this site is strictly prohibited.