To The Aotg.com Community,
It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
Dumbo Delivered with Blackmagic Design
April 25, 2019, 07:25 AM
https://www.aotg.com/dumbo-delivered-with-blackmagic-design/
Blackmagic Design has today announced that DaVinci Resolve Studio was used throughout the full color pipeline on Disney’s live action remake of Dumbo. Directed by Tim Burton with a screenplay by Ehren Kruger, the DI was delivered by Goldcrest Post’s Adam Glasman, who collaborated with Director of Photography Ben Davis, BSC.
#blackmagic design#davinci resolve studio#atem television studio hdPanic! At The Disco’s Video Shot in Blackmagic R
April 24, 2019, 10:13 AM
https://www.aotg.com/panic-at-the-discos-video-shot-in-blackmagic-r/
Blackmagic Design announced today that the latest music video from Panic! At The Disco titled “Dancing’s Not A Crime” was shot on the URSA Mini Pro and Blackmagic Pocket Cinema Camera 4K using Blackmagic RAW. The video, shot by music video veteran Brandon Dermer, has become one of the fastest watched videos in the world and supports the bands hugely popular “Pray for the Wicked” world tour.
#blackmagic design#davinci resolve#ursa mini pro#blackmagic raw#pocket cinema camera 4kWarren's NAB report 2019
April 24, 2019, 05:26 AM
https://icolorist.com/2019/04/24/warrens-nab-repor...
This is Warren's report from NAB 2019. He co hosted the Colorist Mixer and presented at Post Production World, as well as walking the halls of NAB.
Colorfront at NAB showing 8K HDR, product updates
April 17, 2019, 11:00 AM
https://postperspective.com/colorfront-at-nab-show...
Colorfront, which makes on-set dailies and transcoding systems, has rolled out new 8K HDR capabilities and updates across its product lines. The company has also deepened its technology partnership with AJA and entered into a new collaboration with Pomfort to bring more efficient color and HDR management on-set. Colorfront Transkoder is a post workflow tool for handling UHD, Continue reading → April 17, 2019 The post Colorfront at NAB showing 8K HDR, product updates appeared first on Ra...
Color Chat: Light Iron’s Sean Dunckley
April 17, 2019, 06:23 AM
https://postperspective.com/color-chat-light-irons...
Sean Dunckley joined Light Iron New York’s studio in 2013, where he has worked on episodic television and features films. He finds inspiration in many places, but most recently in the photography of Steven Shore and Greg Stimac. Let’s find out more… NAME: Sean Dunckley COMPANY: LA- and NYC-based Light Iron CAN YOU DESCRIBE YOUR COMPANY? Continue reading → April 16, 2019 The post Color Chat: Light Iron’s Sean Dunckley appeared first on Randi Altman's postPerspective.
Free Cinematic LUTs from Hollywood Films
April 16, 2019, 09:14 AM
https://jeffvlog.wordpress.com/2019/04/16/free-cin...
Inspired from such Hollywood Films as Drive, Max Max: Fury Road and Moonrise Kingdom after getting your film to a good base correction you can easily apply these film looks to your project to give it a big budget look.
How to Alter the Color of your video using Lumetri
April 15, 2019, 06:29 AM
https://www.premiumbeat.com/blog/alter-video-color...
In this tutorial, I explore Premiere’s updated Lumetri curves — and how you can adjust, alter, and enhance the colors in your scene to boost your production value.
ICA Hawaiian Colorist Summit 2019
April 14, 2019, 06:11 AM
https://icolorist.com/2019/04/13/ica-hawaiian-colo...
Learn color grading from the experts at the ICA Hawaiian Colorist Summit in Waikiki Beach - October 5 through 13, 2019.
Review: Mzed.com’s Directing Color with Ollie Ke
April 3, 2019, 01:59 PM
https://postperspective.com/review-mzed-coms-direc...
By Brady Betzel I am constantly looking to educate myself, no matter what the source — or subject. Whether I am learning how to make a transition in Adobe After Effects from an eSports editor on YouTube to Warren Eagles teaching color correction in Blackmagic’s DaVinci Resolve on FXPHD.com, I’m always beefing up my skills. Continue reading → April 3, 2019 The post Review: Mzed.com’s Directing Color with Ollie Kenchington appeared first on Randi Altman's postPerspective.
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