It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
August 20, 2020, 01:21 PM
https://filmschoolrejects.com/irma-vep-color-theor...
In our new column Color Code, Luke Hicks chooses a handful of shots from a favorite film and analyzes them in detail to draw out the meaning behind specific colors and how they play into their scene and the film as a whole. Inspecting color is like inspecting the soul of a film. It’s an endless endeavor to better understand the artists’ intentions and our connection to the work. For his second entry, Luke digs into Olivier Assayas’ Irma Vep.
August 20, 2020, 01:21 PM
https://journaldunemonteuse.wordpress.com/2020/08/...
Chaque semaine, un extrait du livre Le montage, technique et esthétique. https://www.armand-colin.com/le-montage-technique-et-esthetique-fiction-documentaire-serie-nouvelles-ecritures-9782200627218 AVANT-PROPOS « Je préférerais que l’on sente un film avant de le comprendre, les sens interviennent avant l’intelligence. » Robert Bresson L’art du montage est en perpétuelle évolution. … Lire la suite →
August 20, 2020, 01:21 PM
https://www.provideocoalition.com/adobe-character-...
Speech-Aware animation is one of the key features of Adobe Character Animator, which now also included head and eyebrow movements corresponding to a voice recording. Adobe announced a version of Character Animator with new features that is entering public Beta and will be available in Creative Cloud later this year. Notably, says the company, “one [...]Read More...
August 20, 2020, 01:20 PM
https://www.provideocoalition.com/art-of-the-cut-p...
The Art of the Cut podcast brings the fantastic conversations that Steve Hullfish has with world renowned editors into your car, living room, editing suite and beyond. In each episode, Steve talks with editors ranging from emerging stars to Oscar and Emmy winners. Hear from the top editors of today about their careers, editing workflows [...]Read More...
August 20, 2020, 02:07 AM
https://www.aotg.com/second-hpa-irtf-global-townhall-set-for-august-26/
HPA Industry Recovery Task Force continues to lead critical conversations about the safe return to work
#editing#color grading#hpa#visual effects#sound#coronavirusAugust 19, 2020, 01:08 PM
https://www.sgo.es/sgo-virtual-ibc/
Join SGO Virtual IBC, where you will have the opportunity to delve deep into the latest trending post-production workflows and enjoy exclusive presentations on the most recent upgrades and developments of Mistika Technology. SGO Virtual IBC will take place 10-16 September 2020. Behind the Scenes of a VR Music Video for Grammy-Nominated Band I Prevail [...]
August 19, 2020, 01:08 PM
http://www.postmagazine.com/Press-Center/Daily-New...
SANTA MONICA, CA — The bi-coastal editorial house Exile (exileedit.com) has added editor Edward Line to its roster. He boasts more than a decade of experience in commercial, music video and narrative editing.
August 19, 2020, 01:08 PM
http://www.postmagazine.com/Press-Center/Daily-New...
LONDON — Rise|Visual Effects Studios (www.risefx.com) will open a brand new office in London this September. The studio, which specilizes in VFX for film and television productions, has appointed Lara Lom managing director.
August 19, 2020, 01:08 PM
https://www.youtube.com/watch?v=1xTQb0NATk4
#TangentLabs #Siggraph2020 #cloud-basedworkflows Tangent Lab's Jeff Bell talks about why they created their Loupe cloud-based asset management and pipeline system while working on projects at Tangent Animation.
August 19, 2020, 01:07 PM
https://lesterbanks.com/2020/08/tips-for-grading-r...
Jacob Torres covers how you can grade renders in Octane and Ae. Color is such a huge part of working, and in CG, it’s a whole thing. Color workflows are as crucial as they are
Daniel George McDonald sits down to discuss creating the finale for Cheer Season 2.
Gordon sits down with the editorial team of The Black Lady Sketch Show to discuss their approach to ...
Gordon sits down with Philip to discuss his work with Tyler Perry and his latest film A Madea Homeco...
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