It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
April 17, 2021, 09:29 AM
https://www.animationmagazine.net/technology/april...
Learning how to be a 3D artist involves understanding technique, workflow and best practices more than knowing specific programs. Sure, you can dive into Maya or Houdini or 3ds Max or Cinema 4D, etc. But as a budding artist, the cost of these programs may be out of your price range. This is where Blender comes in: It’s robust, full-featured, is actually used in production and it’s open source — which means it’s totally free.
April 16, 2021, 08:37 AM
https://www.toolfarm.com/news/new-autodesk-flame-2...
Flame® 3D VFX and finishing software provide effective tools for 3D compositing, visual effects, and editorial finishing. An integrated, creative environment means faster compositing, advanced graphics, color correction, and more.
#autodesk#flame#2022April 15, 2021, 08:20 AM
https://beforesandafters.com/2021/04/15/vfx-breakd...
VFX BREAKDOWN: ‘THE IRREGULARS’
April 15, 2021, 08:17 AM
https://www.awn.com/news/maxon-releases-cinema-4d-...
Maxon has just announced Cinema 4D Subscription Release 24 (S24). The latest subscription-only release of Maxon’s 3D application allows users to easily browse and obtain models, materials, and other assets, and to intuitively place them within the scene. The release also includes key workflow enhancements and a sneak peek at continued progress on the Scene Nodes and Scene Manager interfaces to the new core. Cinema 4D S24 is immediately available for subscription customers. For perpetual licens...
#cinema 4d#redshift#maxon#s24April 15, 2021, 08:16 AM
https://www.awn.com/news/fmx-2021-dive-wandavision...
FMX 2021 Online has announced more presentations have been added to their already extensive line-up. Take a look at the Marvel cinematic universe’s television miniseries WandaVision and get insights into one of this year’s biggest visual effects films, Warner Bros. Entertainment's Godzilla vs. Kong.
#vfx#fmx#wandavision#godzilla vs kongApril 14, 2021, 08:54 AM
https://www.animationmagazine.net/technology/maxon...
In a big day for German-based software giant Maxon, the company announced updates to Cinema 4D, Redshift for macOS, Moves by Maxon and a first refresh of its corporate identity in 20 years. Tuesday saw the kickoff of the three-day virtual 3D Motion Show, featuring exclusive presentations from industry-leading artists. (3DMotionShow.com)
#cinema 4d#redshift#maxonApril 14, 2021, 08:52 AM
http://www.cgchannel.com/2021/04/toolchefs-ships-a...
Toolchefs has shipped Atoms VFX 4.0, the new version of its crowd animation system for Maya and Houdini.
#vfx#maya#houdini#toolchefs#atomsApril 13, 2021, 08:59 AM
https://www.allanmckay.com/294-2/
Lotta (aka Charlotta) Forssman is a VFX supervisor based out of NYC. For nearly a decade, she has been part of Molecule VFX and has worked on shows like Ballers (HBO), The Good Cop, Unbreakable Kimmy Schmidt, Master of None (Netflix). She has been a Supervisor for Apple TV’s Dickinson since Season 1.
April 13, 2021, 08:59 AM
https://www.provideocoalition.com/maxon-three-days...
The April 3D & Motion Design Show starts today, with a series of presentations from a collection of notable creative directors, motion designers. Register to watch the live stream!
April 13, 2021, 08:55 AM
https://www.artofvfx.com/zack-snyders-justice-leag...
Back in 2013, John « DJ » DesJardin talked to us about his visual effects work on Man of Steel. He went on to work on Batman v Superman: Dawn of Justice and Justice League. He’s back today to talk about the challenges of bringing director Zack Snyder’s vision to life on Zack Snyder’s Justice League.
#vfx#justice league#zack snyder
Daniel George McDonald sits down to discuss creating the finale for Cheer Season 2.
Gordon sits down with the editorial team of The Black Lady Sketch Show to discuss their approach to ...
Gordon sits down with Philip to discuss his work with Tyler Perry and his latest film A Madea Homeco...
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