It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
October 28, 2015, 09:59 AM
http://www.artofvfx.com/the-last-witch-hunter-ara-...
In 2013, Ara Khanikian had explained in detail the work of Rodeo FX on NOW YOU SEE ME. He then worked on many projects and oversaw the visual effects of BIRDMAN and TOMORROWLAND. He now talks about THE LAST WITCH HUNTER, which marks the third Rodeo FX collaboration with Nick Brooks.
October 28, 2015, 09:59 AM
http://www.thecredits.org/2015/10/how-the-walks-vf...
Director Robert Zemeckis’s long gestating project The Walk, on Philippe Petit’s once in a lifetime high-wire walk across the Twin Towers of The World Trade Center on August 7th, 1974 finally reached the screen this month, in glorious 3-D utilizing breathtaking visual effects. We spoke to VFX Supervisor Kevin Baillie & VFX Producer Camille Celluci by phone on how the production team was able to re- create in such immense detail both the Twin Towers and the 1974 New York skyline on a tight bud...
October 28, 2015, 09:59 AM
https://www.aotg.com/bao-mask-3d-warper-uv-mapping-tutorial/
A GPU accelerated 3D modeling plugin using masks in After Effects. Has many features such as OBJ export to use with other 3D plugins in AE like Plexus, Form and Element 3D as well as a 2D warping mode to allow for super precise warping using source and target masks.
October 28, 2015, 05:11 AM
http://feedproxy.google.com/~r/ItsAliveInTheLab/~3...
This past summer I had 6 interns who put Autodesk Fusion 360 through its paces. They designed in Fusion 360 and fabricated at our Pier 9 office. I blogged about some of their early work: Autodesk Interns: The Summer of... (...)
October 28, 2015, 05:09 AM
https://www.aotg.com/nuke-motion-control-deep-compositing/
A free preview of our new advanced Nuke course running this term at fxphd. In this class, we are on set at Stiller Studio in Stockholm shooting cool motion-controlled high speed footage for this 300 level Nuke course, using Bolt and Cyclops motion control and Phantom Flex4K. Victor explains what we will be doing in this course and Mike walks through the filming process.
October 28, 2015, 05:07 AM
https://news.creativecow.net/story/879995
(Dallas, Texas--October 27, 2015) Digital studio Reel FX, Dallas/Santa Monica has brought back former Reel FX Head of Production David Bates as General Manager. Bates spent nearly eight years with Reel FX from 2002-2010, and will leverage his recent executive experience curating talent for creative roles at a wide range of companies to assemble top tier in-house teams for projects across Reel FX’s short form and VR divisions.
October 27, 2015, 04:17 PM
http://www.postmagazine.com/Press-Center/Daily-New...
LOS ANGELES — The Visual Effects Society (VES) has named director/producer Sir Ridley Scott as the recipient of the VES Lifetime Achievement Award, in recognition of his enormous contributions to filmed entertainment. The award will be presented at the 14th Annual VES Awards, set to take place on February 2, 2016 at the Beverly Hilton Hotel.
October 27, 2015, 04:16 PM
http://www.hollywoodreporter.com/news/christopher-...
The Globe and Mail newspaper in a death notice said Chapman died on Oct. 24 at a long-term care facility in Uxbridge, Ontario, surrounded by his family. His 1967 film A Place to Stand, which received two Oscar nominations, also pioneered the use of multiple screen imagery used in the classic opening title sequence for the popular 1970s show The Brady Bunch, where nine frames on one screen captured shifting footage of family members.
October 27, 2015, 12:47 PM
http://www.studiodaily.com/2015/10/shotgun-release...
Shotgun Software made good on its SIGGRAPH promise, releasing v6.3 of its software this week. Shotgun 6.3 is a free upgrade for all subscribers. StudioDaily outlined the new feature set, which emphasizes refined tools for collaboration, review and approval, in our SIGGRAPH coverage back … more » The post Shotgun Releases Version 6.3 appeared first on Studio Daily.
October 27, 2015, 12:46 PM
http://www.hollywoodreporter.com/news/ridley-scott...
The Visual Effects Society will honor director Ridley Scott with a lifetime achievement award at the 14th annual VES Awards.
Daniel George McDonald sits down to discuss creating the finale for Cheer Season 2.
Gordon sits down with the editorial team of The Black Lady Sketch Show to discuss their approach to ...
Gordon sits down with Philip to discuss his work with Tyler Perry and his latest film A Madea Homeco...
© 2007-2026 www.aotg.com Ver. 3.0 All Content created and posted by Art of the Guillotine users Art of the Guillotine graphics, logos, designs, page headers, button icons, scripts, and other service names are the trademarks of Art of the Guillotine Inc. Use of this material outside of this site is strictly prohibited.