To The Aotg.com Community,
It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
Larry Jordan: Thoughts on NAB
April 19, 2018, 12:48 PM
https://doddlenews.com/larry-jordan-thoughts-on-na...
For those that stopped by the Digital Production Buzz booth in South Lower, it was great to see you. I just wish our production schedule allowed me more time to visit. I always enjoy chatting with you.
5 THINGS: on LiveU Solo vs Teradek VidiU Pro
April 19, 2018, 09:10 AM
https://www.aotg.com/5-things-on-liveu-solo-vs-teradek-vidiu-pro/
In this episode of 5 THINGS, Michael pits the LiveU Solo against the Teradek VidiU Pro.
How to Use Motion Graphics Templates in Premiere
April 19, 2018, 09:10 AM
https://www.shutterstock.com/blog/motion-graphics-...
It doesn’t matter if you’re short on time, lack design skills, or just plain hate creating graphics — Premiere Pro has you covered with motion graphics templates. Whether you need a credit roll, lower thirds, titles, slates, captions, transitions, looping backgrounds, or logos, Adobe has plenty of available options. The good news? You don’t even have to leave the program to use them.
Digital Production Buzz – April 19, 2018
April 19, 2018, 04:59 AM
http://www.digitalproductionbuzz.com/2018/04/digit...
Now that the 2018 NAB Show is over, we have a chance to look back and see what significant trends and products we were unable to cover. Tonight, we talk with several of the companies that we couldn't fit on our NAB Show BuZZ broadcasts. Join host Larry Jordan as he talks with Jeff Stansfield, Kevin Waehner, Chris Bailey, Wilson McCoy, Ali Ahamadi and James DeRuvo. Trends and Products at NAB 2018 New Wireless Gear from Sennheiser A Faster Way to Move Files Better Media Capture and Man...
Marc Langley cuts the latest White Spot brand crea
April 19, 2018, 04:59 AM
https://roosterpost.wordpress.com/2018/04/18/marc-...
Working from dawn ’til dusk is something editor Marc Langley is familiar with. This new brand commercial for White Spot and 123w features “A Day In The Life” of White Spot and its customers. Marc worked with Untitled Films director Mark Gilbert to beautifully weave together some iconic White Spot/BC moments. Brand: White Spot Title: […]
When I turn on my computer and immediately get an
April 18, 2018, 12:59 PM
http://renderplease.com/post/173065383975
Resolve Tutorial Import Media Composer Timelines
April 18, 2018, 12:58 PM
https://doddlenews.com/davinci-resolve-tutorial-pa...
Last time, in our look at learning DaVinci Resolve, we talked about the basics of importing footage into your Media Pool. In the next three articles, I want to look at bringing in footage from the three major NLE’s, Avid Media Composer, Adobe Premiere Pro and Final Cut Pro X, as this is one of the more common workflows, as editors more more and more towards doing their color correcting in Resolve. Let’s get started by looking at getting your footage out of Media Composer and into Resolve.
Avid Media Composer
April 18, 2018, 10:01 AM
http://www.dvinfo.net/video-report/avid-media-comp...
Chris Ward speaks with Avid’s Ray Thompson about a new, lower cost option for Avid Media Composer along with other collaborative work flows announced at NAB2018
Western Digital Introduces 14TB CMR HDD
April 18, 2018, 10:01 AM
http://www.storagereview.com/western_digital_intro...
Today Western Digital Corporation (WDC) introduced its highest capacity conventional magnetic recording (CMR) HDD with the Ultrastar DC HC520. The HC520 comes in capacities up to 14TB introducing a new, lower level of TCO for the cloud and enterprise guys. The new drive leverages WD’s fifth-generation HelioSeal technology to help deliver density, and better power usage per TB, and price per TB.
Watch the NAB Debut of ProRes RAW with Atomos on t
April 18, 2018, 04:31 AM
http://www.fcp.co/final-cut-pro/articles/2066-watc...
The week before NAB 2018, Apple announced a new version of Final Cut Pro X with support for closed captions, and the brand new ProRes RAW codec. In the announcement, Atomos and DJI were listed as the first two companies to support capture of the ProRes RAW codec. In the first of the video presentations from the Faster Together stage at NAB, Jeromy Young debuts ProRes RAW.
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