Is Resolve 15 now the ultimate "hero suite"?

April 18, 2018, 04:30 AM

https://www.redsharknews.com/post/item/5418-is-res...

There have been very few attempts at hero suites in the film industry. The most notable have been SGO's Mistika and Quantel's Rio. Neither have ever been particularly accessible to independent filmmakers, primarily due to their price tags. Mistika, until very recently, was available either as a single-shot compositor in the form of MambaFX or as part of a turn-key workstation with starting prices in the six-figure range. Rio's pricing was similar.

Secret Genius for Spotify FCPX Workflow

April 18, 2018, 04:30 AM

http://www.fcpworks.com/spotify-fcpx-workflow/

In this exclusive interview, FCPWORKS chats with Ben Jehoshua from Brian Graden Media. Ben recently directed the debut season of Secret Genius, a Spotify documentary series about singer-songwriters. The project was also the first piece of original video content for Spotify and was produced using Final Cut Pro X and Lumaforge’s Jellyfish.

When I’ve been in my bay all day and step out fo

April 17, 2018, 12:57 PM

http://renderplease.com/post/173032237520

Creating the look for Netflix’s The End of the F

April 17, 2018, 12:57 PM

http://postperspective.com/creating-look-netflixs-...

By Adrian Pennington Toby Tomkins co-founder of boutique studio Cheat explains how he worked with 8K rushes shot on Red to devise and execute the stylish look of Netflix’ hit dark comedy The End of the F***ing World. Content in 8K UHD won’t be transmitting or streaming its way to a screen anytime soon but the ultra-high resolution format is already making its mark in production. Continue reading → April 17, 2018 The post Creating the look for Netflix’s The End of the F***ing Worl...

Pro Tools: Track Presets for Audio Post – Embedd

April 17, 2018, 12:57 PM

http://www.avidblogs.com/track-presets-for-audio-p...

The article Pro Tools: Track Presets for Audio Post – Embedded Media by Daniel Lovell appeared first on Avid Blogs - The media industry is changing fast. Get the insight you need to succeed—read Avid Blogs..

Cutting ‘Nothing to Lose’ — Brazil’s Most

April 17, 2018, 09:20 AM

http://www.avidblogs.com/cutting-nothing-lose-braz...

The article Cutting ‘Nothing to Lose’ — Brazil’s Most Ambitious Feature Film by Francisco Antunes appeared first on Avid Blogs - The media industry is changing fast. Get the insight you need to succeed—read Avid Blogs..

Software Encoding and Emerging Codecs

April 17, 2018, 09:19 AM

http://www.streamingmedia.com/Articles/ReadArticle...

At NAB, Jan Ozer met with about a dozen companies with stakes in HEVC and/or AV1. This is another in a series of video interviews he conducted with them.

*Cisne negro*, por Andrew Weisblum (ACE) - Primera

April 17, 2018, 05:11 AM

http://saeditores.org/Novedades/Cisne-negro-por-An...

Enfrentarse a una escena con seis o siete horas de material bruto, rodada de modo casi documental siguiendo improvisadamente a un gran grupo de bailarinas, y lograr encontrar el corazón, el elemento patrón que nos permita darle una organización y llegar a buen puerto frente a una situación tan compleja: es el caso que relata detalladamente Andrew Weisblum (ACE) acerca de la edición de Cisne negro (Darren Aronofsky, 2010), trabajo que le valió un Oscar de la Academia a la Mejor Edición.

8K. It's better, and it will catch on as quickly a

April 17, 2018, 05:11 AM

https://www.redsharknews.com/production/item/5426-...

If there is one thing RedShark Editor in Chief David Shapton took away from NAB 2018, it is a reinforcement that 8K really does have true benefits to our viewing experience, and it will become normal far faster than any of you think.

Five Questions: Renegade Animation Creative Direct

April 16, 2018, 05:44 PM

http://www.studiodaily.com/2018/04/five-questions-...

Specializing in cross-platform digital animation, Renegade Animation is known for stylized character animation for film, TV programming, spots and other media. Founded in 1992 by Creative Director Darrell Van Citters and Executive Producer Ashley Postlewaite, the studio made its name with its animation for the 1994 Nike Super Bowl spot “Aerospace Joran” before going on to […] The post Five Questions: Renegade Animation Creative Director Darrell Van Citters appeared first on Studio Daily.