It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
March 28, 2020, 01:50 PM
https://www.redsharknews.com/audio/item/7087-ssl-2...
Review: If you’re into music or sound design, there’s a decision you’re going to have to face at some early point in your career: which audio interface do you buy? Solid State LogicSSL 2+Audio InterfaceSSL 2+ review
March 28, 2020, 01:49 PM
https://www.fcp.co/final-cut-pro/news/2254-free-90...
Aimed at those who might have more time on their hands and want to learn new skills, or editors who need to work from home, Apple has extended the free trial period for Final Cut Pro X and made a free trial for Logic Pro X.
March 28, 2020, 01:48 PM
https://digitalfilms.wordpress.com/2020/03/27/pixe...
Many Final Cut Pro X users prefer the software precisely because it does not require an ongoing subscription. If you bought all of Apple’s ProApps products, then you have largely replaced the need for an Adobe Creative Cloud subscription. The exception to that is graphics and photography design and manipulation. Even the most diehard FCPX […]
March 28, 2020, 01:48 PM
https://www.pro-tools-expert.com/home-page/2020/03...
The Pro Tools Signal Generator is something I find I use far more than I’d expect, whether I’m testing equipment, lining up levels or bleeping out a bad word.
March 28, 2020, 01:47 PM
https://nofilmschool.com/final-cut-pro-and-logic-f...
As the world adapts to distributed workflows, much of the support has been aimed towards helping students and educators. Apple has announced 90-day free trials on both Final Cut Pro and Logic software.
March 28, 2020, 01:47 PM
https://www.animationmagazine.net/technology/red-g...
At the end of 2019, Red Giant announced a new way to access every one of their VFX, filmmaking and motion graphics software suites: Red Giant Complete. With Red Giant Complete, annual subscribers have the most up-to-date versions of all tools — Trapcode Suite, Magic Bullet Suite, Universe, VFX Suite and Shooter Suite — saving thousands of dollars over traditional perpetual licenses.
March 28, 2020, 01:46 PM
https://americancinemaeditors.org/internship-2020/
This content is for members only
March 27, 2020, 12:37 PM
https://www.aotg.com/birth-of-an-art-color-in-film/
The filmmakeru.com team explores the history of color in film in our series Birth of an Art. From coloring in single frames in the early 1900's to the new digital tools used today by colorists all over the world.
March 27, 2020, 12:31 PM
http://www.postmagazine.com/Press-Center/Daily-New...
NEW YORK CITY — Alkemy X (www.alkemy-x.com) has added VFX supervisors Bilali Mack and Erin Nash to its New York City office. Mack comes to the studio from MPC, where he supervised and executed VFX on spots for Adidas, Sonos, Google and BMW. Nash joins the team from FuseFX, where he served as head of 2D, leveraging his experience across television, film and commercial work.
Daniel George McDonald sits down to discuss creating the finale for Cheer Season 2.
Gordon sits down with the editorial team of The Black Lady Sketch Show to discuss their approach to ...
Gordon sits down with Philip to discuss his work with Tyler Perry and his latest film A Madea Homeco...
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