It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
March 27, 2020, 12:31 PM
https://www.youtube.com/watch?v=MuLiXeIn-yU
Livestream Podcast Q&A WED March 25th, 1pm Pacific How to Build Your Remote Post-Production Workflow (And Not Go CRAZY Working At Home) Hosted By: Zack Arnold, ACE Creator, Optimize Yourself Film & TV Editor (Cobra Kai, Empire, Burn Notice, Shooter, Glee) Featuring: Michael Kammes Director of Business Development, BeBop Technology Former Director of Technology, Key Code Media Creator, 5 THINGS Web Series
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From breaking news, elections and politics, to the latest live coverage of eSports gaming tournaments and sporting events, WASP3D is a leading global provider of end-to-end real-time broadcast graphics solutions for live production workflows. Headquartered in New Delhi with offices located around the world, WASP3D’s technology solutions seamlessly integrate real-time broadcast graphics for livestreaming, OTT, ... The post AJA Corvid Developer Cards Power I/O for WASP3D’s Real-Time Broad...
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LONDON— Veteran colorist Walter Volpatto, CSI has been appointed to the leadership of the Colorist Society International as a Fellow. A senior colorist at EFILM in Hollywood, Volpatto was nominated for a 2019 HPA Award for his work on the film Green Book. His more than 100 credits also include the features Star Wars: Episode ... The post Colorist Walter Volpatto Elevated to CSI Fellow appeared first on NAB Show News | 2020 NAB Show Media Partner and Producer of NAB Show LIVE. Broadcast En...
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Autodesk has introduced 3ds Max 2021, a new version of its 3D modeling, animation and rendering software. This latest release offers new tools designed to give 3D artists the ability to work across design visualization and media and entertainment with a fully scriptable baking experience, simpler install process, viewport and rendering improvements, Continue reading → March 25, 2020 The post Autodesk’s 3ds Max 2021 now available appeared first on postPerspective.
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By Patrick Birk I was late in discovering David Fincher’s gripping series on serial killers, Mindhunter. But last summer, I noticed the Netflix original lurking in my suggested titles and decided to give it a whirl. I burned through both seasons within a week. The show is both thrilling and chilling, Continue reading → March 26, 2020 The post Netflix’s Mindhunter: Skywalker’s audio adds to David Fincher’s vision appeared first on postPerspective.
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This new tutorial series will be essential viewing for anyone who has been thrust suddenly into the world of cloud based post production. FrameioMichael Cioniremote workflowsvideo production remote workflow
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Daniel George McDonald sits down to discuss creating the finale for Cheer Season 2.
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