It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
November 12, 2011, 06:32 PM
http://library.creativecow.net/neil_andy/FCPX-Stor...
In this two part tutorial, Andy Neil will show you when it's best to use a storyline, connected clip, or a compound clip in your project. He goes in depth with some tricks to get moving quickly in FCPX.
November 12, 2011, 06:31 PM
http://library.creativecow.net/neil_andy/FCPX-Stor...
In part two of this tutorial, Andy Neil continues to explain secondary storylines, connected clips, and compound clips and how they are best used in your project. Along with it are some tricks to keep organized and move quickly when you're editing.
November 12, 2011, 06:29 PM
http://www.advancehdtv.com/index.php/item/to-nle-o...
Ok... Which non-linear editor do I get (use/rent,etc.) I get asked this all the time and I DO have a great answer prepared. It's also the same answer I give when asked about cameras or mics or just about anything else. And there are two levels to this answer, as there should be. Basically when it comes to choosing an NLE there are several factors to consider and these decisions will lead you to choosing the NLE you ultimately choose.
November 12, 2011, 10:24 AM
http://digitalcontentproducer.com/dcc/revfeat/newt...
NewTek, a worldwide leader of 3D animation and video products, has announced NewTek LightWave 11, a powerful new version of its Emmy Award-winning, professional 3D modeling, animation, and rendering software. LightWave 11 fits into any studio pipeline seamlessly, offering support for Autodesk Geometry Cache and FBX, including pixel-perfect camera matching with Autodesk Maya cameras. It also supports the Unity game engine and Pixologic GoZ ZBrush workflow, making it ideal for all production...
November 12, 2011, 10:22 AM
http://news.creativecow.net/story/867502
(BURLINGTON, Massachusetts--November 11, 2011) Signiant, the leading provider of software that automates, accelerates and manages the secure transfer of file-based media, will host its latest Thought Leadership Forum, File-Based Workflows for the Digital Age, on Tuesday, Nov. 15. The panel discussion will take place from 4 to 8 p.m. at the W Hotel Washington, at 515 15th Street NW in Washington, D.C.
November 12, 2011, 10:21 AM
http://www.postmagazine.com/Press-Center/Daily-New...
LOS ANGELES — Last night, the The Hollywood Post Alliance (www.hpaonline.com) presented the Sixth Annual HPA Awards, honoring post professionals in 12 different creative categories, as well as for Engineering Excellence, Lifetime Achievement and Creativity and Innovation. The HPA Awards were conceived to honor top talent working behind the scenes in motion pictures, television and commercials, along with the most innovative technologies in post.
November 12, 2011, 10:19 AM
http://blogs.adobe.com/premiereprotraining/2011/11...
Last week, Richard Harrington presented a seminar on mastering the Timeline panel and related features in Adobe Premiere Pro. Here's the recording. Richard covered a lot of useful and interesting material, both in the main presentation and in the question-and-answer segment at the end.
November 12, 2011, 10:17 AM
http://www.larryjordan.biz/tips/tip340.html
The Option key does duplication watch! The Option key offers the miraculous ability to duplicate just about anything. For example, press the Option key and drag a clip. You are making a copy of the clip. Now it gets tricky.
November 12, 2011, 10:16 AM
http://www.variety.com/article/VR1118046049?catego...
The Hollywood Post Alliance honored the post-production community by handing out 12 awards last night at the Skirball Center in Los Angeles.
November 12, 2011, 10:13 AM
http://www.philiphodgetts.com/2011/11/should-we-pu...
I'm asking for opinion because it will mean some compromises and we don't know if that's acceptable.
Daniel George McDonald sits down to discuss creating the finale for Cheer Season 2.
Gordon sits down with the editorial team of The Black Lady Sketch Show to discuss their approach to ...
Gordon sits down with Philip to discuss his work with Tyler Perry and his latest film A Madea Homeco...
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