To The Aotg.com Community,
It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
CUSTOM CLIP COLOR and TRACKING AMA CLIPS TIP
November 12, 2011, 10:13 AM
http://lfhd.net/2011/11/11/custom-clip-color-track...
OK, here's a little follow up to my Media Composer 6 review. In that review I mentioned that you could label your clips via a small palette of colors. Well, there is actually a way to open up that choice of colors…to get to the full color palette including the Color Wheel and Crayon options...
PsF's missing workflow, Part 5: Atomos
November 11, 2011, 06:49 PM
http://provideocoalition.com/index.php/atepper/sto...
PsF's missing workflow, Part 5: Atomos hires a Stripper?!
The Adventures of Kars and Gretig
November 11, 2011, 06:47 PM
http://avidassteditor.com/2011/11/11/the-aedventur...
Working with Avid is sometimes very tongue-in-cheek and the blog will now display those “special moments” we have with Avid in comic form. Enjoy. Kyra
Cindeck Ex Combines with Sony F3 Camera for Alin B
November 11, 2011, 06:47 PM
http://provideocoalition.com/index.php/news/story/...
Apple H264 vs. MainConcept H264
November 11, 2011, 06:47 PM
http://chadwickpaul.net/2011/11/11/apple-h264-vs-m...
This one doesn't require much explanation. Basic rule of thumb when you want your video to look good as H.264 – DON'T USE APPLE'S VERISON IN COMPRESSOR. It sucks big time. Most editors have several other options, but I've found the best in my toolkit is Adobe Media Encoder’s version of Main Concept’s H.264.
Using After Effects as an Advanced Titler for Prem
November 11, 2011, 06:47 PM
http://provideocoalition.com/index.php/cmg_keyfram...
Pleasant Post, EP-Vision Lead Edit, Design Work
November 11, 2011, 06:47 PM
http://blog.digitalcontentproducer.com/briefingroo...
Introducing the Do Devil, a high-flying, maniacal, yet business-oriented daredevil who never goes adventuring without his Lenovo ThinkPad or Business Pad at his side – after all, who wants to miss an important business meeting because you happen to be leaping off a skycrain with nothing more than a piece of rubber attached to your feet?
Simulating liquids with AE particles Pt 1
November 11, 2011, 06:46 PM
http://library.creativecow.net/tompkins_matthew/CC...
Exploring CC Particle World and CC Vector blur and setting up the initial simulation of liquid particles within After Effects. Part of the Creative...
Simulating liquids with AE particles Pt 2
November 11, 2011, 06:45 PM
http://library.creativecow.net/tompkins_matthew/CC...
Exploring CC Particle World and CC Vector blur and setting up the initial simulation of liquid particles within After Effects. Part of the Creative...
2011 Hollywood Post Alliance Awards Winners
November 11, 2011, 06:43 PM
http://www.studiodaily.com/main/news/13548.html
During a gala evening of celebration at the Skirball Cultural Center in Los Angeles, The Hollywood Post Alliance – the professional organization for the post production community - presented the Sixth Annual HPA Awards to a sold out audience of industry insiders and luminaries. Individuals were honored in 12 creative categories as well as a number of special awards for Engineering Excellence, Lifetime Achievement and Creativity and Innovation, which had been announced earlier.
Newest from AOTG.com
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Daniel George McDonald on Editing Cheer's Season 2 Finale
Daniel George McDonald sits down to discuss creating the finale for Cheer Season 2.
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Editing The Black Lady Sketch Show
Gordon sits down with the editorial team of The Black Lady Sketch Show to discuss their approach to ...
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Philip White on Crafting A Madea Homecoming's Music
Gordon sits down with Philip to discuss his work with Tyler Perry and his latest film A Madea Homeco...
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