To The Aotg.com Community,
It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
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Digital Production Buzz – November 2, 2017
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Tonight, after recent industry announcements, we take a look at emerging trends and products in our industry. Join host Larry Jordan as he talks with Ned Soltz, Riley Stricklin, Clark Weber, Philip Hodgetts, Nigel Booth, and James DeRuvo. Tomorrow’s Trends Explained Today High-Quality, Low-Cost Lighting Gear New Cameras From GoPro Technology Trend Update Media Asset Management in The Cloud The Weekly DoddleNEWS Update Guests this Week Tomorrow’s Trends Explained Toda...
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https://www.aotg.com/making-the-cut-pietro-scalia-ace-editor-gladiat/
Multi-award winning editor Pietro Scalia, ACE discusses his approach to film editing, which see him identifying his own emotional reactions within a scene.
La SAE participó de la CAPER 2017
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http://saeditores.org/Novedades/La-SAE-participo-d...
Con dos mesas temáticas organizadas por la Comisión de Cultura y Desarrollo Profesional, la SAE participó de la exposición de la CAPER 2017, que se desarrolló entre el 25 y 27 de octubre en el Centro Costa Salguero de la Ciudad de Buenos Aires.En primer lugar, el miércoles 25 de octubre se llevó a cabo la conferencia Cambios en los NLE: ¿un nuevo paradigma?, con la participación de nuestras socias Vanesa Ferrario (SAE), Julia Straface y Josefina Llobet (EDA)...
Parallax Transitions for Final Cut Pro X
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Modern transitions based on line-of-sight tricks to produce beautiful results!
Most Exciting New Features in Premiere Pro
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Alongside the latest iterations of CC applications, Adobe has also released a brand new version of its beloved editing platform Premiere Pro CC 2018. With the update comes a jaw-dropping amount of performance updates, including some new features that promise to significantly increase post-production efficiency for whatever needs your workflow may have.
Hoarding my favorite crafty snacks like
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Tackling VR storytelling challenges with spatial a
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By Matthew Bobb From virtual reality experiences for brands to top film franchises, VR is making a big splash in entertainment and evolving the way creators tell stories. But, as with any medium and its production, bringing a narrative to life is no easy feat, especially when it’s immersive. Continue reading → October 30, 2017 The post Tackling VR storytelling challenges with spatial audio appeared first on Randi Altman's postPerspective.
Why the VR video updates coming Final Cut Pro X an
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At the FCPX Creative Summit, Apple gave a sneak peek into the next versions of Final Cut Pro X and Motion 5. They have moved beyond the old way of doing spherical video. Read my take in my post on Medium.
What’s the Difference Between Adobe CC 2018 vs.
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One of the most common upgrade questions we see out there is asking what’s new, what’s different, what’s better, what’s changed between Adobe’s just-launched CC 2018 release and the previous CC 2017, CC 2015.5, CC 2015, CC 2014, CC 2013, or 2012’s Creative Suite 6? Or more fundamentally, what are the key new features and advancements in CC 2018 versus prior versions?
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