To The Aotg.com Community,
It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
Editor Sam Ostrove joins new boutique Cabin as par
October 26, 2017, 11:57 AM
http://www.postmagazine.com/Press-Center/Daily-New...
SANTA MONICA — Creative editing and VFX boutique Cabin Editing Company (http://cabinedit.com), which opened just this fall, has brought on Sam Ostrove as partner/editor. Ostrove brings a wealth of experience and accolades to Cabin, having spent nearly a decade honing his cutting skills at Cut+Run. His new role at the boutique offers him the opportunity to nurture and manage talent, as well as evolve his own creative capabilities.
When we start sending episodes to Online
October 26, 2017, 11:57 AM
http://renderplease.com/post/166816926975
La SAE entregará el Premio al Mejor Montaje en el
October 26, 2017, 11:56 AM
http://saeditores.org/Novedades/La-SAE-entregara-e...
La SAE entregará el Premio al Mejor Montaje en el 15˚ Festival Nacional de Cine de Tandil, que se llevará a cabo entre el 28 de octubre y el 4 de noviembre en dicha ciudad de la provincia de Buenos Aires. El jurado, integrado por Valeria Racioppi (SAE), Lucas Scavino (SAE) y Leandro Spatz (SAE), elegirá al ganador entre las películas argentinas de la Competencia Oficial de Largometrajes.
The Ellie Awards 2017 – Tickets
October 26, 2017, 11:56 AM
https://www.screeneditors.com.au/the-ellie-awards-...
The A-List — Josh Earl, ACE (Deadliest Catch) an
October 26, 2017, 04:39 AM
https://www.youtube.com/watch?v=9ppB-wpj9oY
Josh Earl is known for his work on Deadliest Catch (2005), American Heiress (2007) and Jay and Silent Bob's Super Groovy Cartoon Movie (2013). Winner of the Emmy Award for Outstanding Picture Editing for an Unstructured Reality Program for Deadliest Catch (2005) form 2011-2015. Was nominated for four other Emmy Awards. Kelley Dixon is known for her work on Breaking Bad (2008), Good Will Hunting (1997) and Better Call Saul (2015). She is a winner of the Outstanding Single-Camera Picture E...
How Collaborative Editing Makes Creatives More Cre
October 26, 2017, 04:38 AM
http://www.studiodaily.com/partners/collaborative-...
When it comes to the evolution of collaborative editing, Simon Haywood, Dell EMC Solutions Architect, Media and Entertainment, takes the long view. Haywood put in time as a satellite engineer for the BBC before joining Isilon, and he remembers when editing was an intuitive, linear process that resulted in a videotape that you could hold […] The post How Collaborative Editing Makes Creatives More Creative appeared first on Studio Daily.
Getting stuck in a screening like
October 26, 2017, 04:38 AM
http://renderplease.com/post/166783083305
Using Low-Key Lighting For A Dramatic Effect
October 25, 2017, 01:16 PM
https://www.amazingmusictracks.com/blog/using-low-...
Light and shadows are great for visual storytelling. Give any scene in your project a deep and melancholic atmosphere with a low-key lighting approach.
#filmmaking#video production#photographyThe A-List — Josh Earl, ACE (Deadliest Catch) an
October 25, 2017, 12:34 PM
https://www.aotg.com/the-a-list-josh-earl-ace-deadliest-catch-an-2/
Josh Earl is known for his work on Deadliest Catch (2005), American Heiress (2007) and Jay and Silent Bob's Super Groovy Cartoon Movie (2013). Winner of the Emmy Award for Outstanding Picture Editing for an Unstructured Reality Program for Deadliest Catch (2005) form 2011-2015. Was nominated for four other Emmy Awards.
Avid EUCON 3.7 Delivering Greater Control
October 25, 2017, 12:34 PM
http://www.broadcastbeat.com/avid-eucon-3-7-delive...
The latest Avid EUCON 3.7 software update is delivering more upgrade enhancements by providing both the musician and the professional technician greater control and lighting fast workflows. Powered by MediaCentral® the EUCON is an open software protocol, which enables seamless integration between any and all of the following control surfaces. Avid control surfaces and Pro ...
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