It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
June 4, 2015, 04:51 AM
https://news.creativecow.net/story/878990
(LOS ANGELES, California--May 29, 2015) ACES, the new Academy Color Encoding System, will be explored by a panel of experts at Cine Gear at the Sherry Lansing Theater at Paramount Studios in Hollywood on June 6 from 10:15 a.m. to 11:30 a.m. Titled ACES for Hands-on Filmmakers, the panel is presented by the International Cinematographers Guild (ICG, IATSE Local 600) and the American Society of Cinematographers (ASC) Technology Committee, in cooperation with the Academy of Motion Picture Arts and ...
May 28, 2015, 04:55 AM
https://www.aotg.com/resolve-105-managing-color-grades-creating-a-gr/
You learn about Versions where you can store and recall subtle (or drastic) variations of a look. You also see how to make Gallery Stills to create images as a reference guide. These techniques -combined with color grade copying, group grading of multiple clips and split screen viewing- are the tools colorists use for speed and to maintain consistency when working on larger projects.
May 26, 2015, 09:36 AM
https://www.aotg.com/adoramas-sunday-family-funday-street-fair-retur-2/
This free technology-based annual Street Fair features the newest cameras and consumer electronics, prizes, food, carnival games and more family-friendly fun
#video#photography#adorama#street fair 2015#technology festival#adorama family sunday street fairMay 26, 2015, 04:52 AM
http://www.finalcutpro.es/2015/05/noticia-davinci-...
(Nota de prensa) Blackmagic Design se complace en felicitar my la gran cantidad de largometrajes nominados para la edición 2015 del Festival de Cannes que fueron rodados con cámaras fabricadas por la empresa y finalizados con DaVinci Resolve. Algunas de las películas más esperadas que compiten por la Palma de Oro fueron etalonadas con DaVinci Resolve. [...] La entrada NOTICIA: DaVinci Resolve, presente en muchas de las películas del festival de Cannes aparece primero en finalcutpro.es.
May 25, 2015, 04:28 AM
http://cinescopophilia.com/california-luts-la-styl...
Ive always been obsessed grading my looks with a 'Golden Grey', 'Peach' style look….so I thought why not share my styled looks with you.
May 15, 2015, 02:09 PM
https://www.aotg.com/flanders-scientific-am250-overview/
FSI AM250 24.5" OLED Broadcast Monitor
May 14, 2015, 01:14 PM
https://www.aotg.com/flanders-scientific-inc-am250/
FSI AM250 24.5" OLED Broadcast Monitor Overview
May 13, 2015, 01:31 PM
http://blog.mediasilo.com/davinci-resolve-12-is-be...
Find out how Davinci Resolve 12 is unifying the post production process and revolutionizing the industry.
May 11, 2015, 04:56 AM
http://www.finalcutpro.es/2015/05/review-imac-5k-c...
El momento de decidir en que equipo invertir siempre es complicado. El iMac Retina 5K es uno de los modelos de Apple que más interés ha causado últimamente entre los que nos dedicamos al mundo de la posproducción. Con una pantalla realmente espectacular, nos queda la duda de saber como se comportará con los diferentes tipos de archivos.
May 5, 2015, 10:49 AM
http://www.premiumbeat.com/blog/color-grading-tips...
Capture some great cinematic looks in Adobe SpeedGrade with this helpful handful of color grading tips!
Daniel George McDonald sits down to discuss creating the finale for Cheer Season 2.
Gordon sits down with the editorial team of The Black Lady Sketch Show to discuss their approach to ...
Gordon sits down with Philip to discuss his work with Tyler Perry and his latest film A Madea Homeco...
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