To The Aotg.com Community,
It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
Resolve 11 Used on New Terence Malick Feature
May 5, 2015, 10:46 AM
http://blog.planet5d.com/2015/05/blackmagic-davinc...
Love or hate his poetic, philosophical, often anti-dialog, feature films, however the great American movie director Terrence Malick chooses to make them is a great free lesson to all moviemakers in every genre.
Secondary Color Correction in Final Cut Pro 10.2
May 5, 2015, 10:46 AM
https://www.aotg.com/secondary-color-correction-in-final-cut-pro-10-2-3/
This week on MacBreak Studio, Steve Martin from Ripple Training shows us how the new features of Final Cut Pro version 10.2 make secondary color correction e...
Davinci Resolve VS Adobe Speedgrade
May 5, 2015, 03:41 AM
https://www.aotg.com/davinci-resolve-vs-adobe-speedgrade/
This is to answer the question i get asked the most. Learn Davinci Resolve, or Adobe Speedgrade?
Artistic Color Correction
May 4, 2015, 12:18 PM
http://www.devotiontocinema.com/equipment-review/a...
I recently watched 'It Follows'. I found it to be an artistic, scary, surreal film. The film starts with a drab, washed out, 80s palette. As the film continues, the color, and use of it evolves, adding another layer of narrative to the story. The writer/director behind the film, David Robert Mitchell, said that the film was inspired by a recurring dream, and this is definitely evident in the approach with color. Certain sequences also utilise darkness very well.
A Notebook With Colour Fidelity
April 30, 2015, 03:54 PM
http://provideocoalition.com/a-notebook-with-colou...
Technicolor-PostWorks' Baselight workflow helps l
April 28, 2015, 12:29 PM
http://www.postmagazine.com/Press-Center/Daily-New...
NEW YORK — Technicolor-PostWorks NY has long employed FilmLight’s Baselight for high-performance grading, both for television dramas and documentaries. In recent months, the studio has found that FilmLight’s Baselight Editions for Avid — an integrated plug-in for Media Composer and Symphony — has been able to enhance the grading capabilities within its existing editing software, as well as open up the possibility of a fluid and flexible exchange of grades between editors and colori...
Rageboard's released for Colorists
April 28, 2015, 09:49 AM
http://www.aotg.com/index.php?page=pr_angryface_ap...
Munich, Germany – March 31, 2015 – Angry Face™, developer and manufacturer of customized color-correction chassis, announced today its Rageboard™ product, the first professional chassis for housing the Tangent Element color panels.
Better Black and White in DaVinci Resolve
April 28, 2015, 09:30 AM
http://www.premiumbeat.com/blog/better-black-and-w...
There's more to monochrome than dragging the saturation down to zero. Learn the nuances of capturing better black and white in DaVinci Resolve.
TV Logic's New Monitor Ranges
April 28, 2015, 04:45 AM
http://www.definitionmagazine.com/journal/2015/4/2...
TVLogic launched a total of 12 new models at NAB 2015 for broadcast, production, post-production, digital signage and multi-viewer applications.
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