To The Aotg.com Community,

It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.

Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.

We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.

Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.

Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.

I look forward to seeing everyone at the various post events worldwide in the coming years!

Yours truly,
Gordon Burkell
Aotg.com Founder

COLORED Fonts in Photoshop?!

December 30, 2017, 05:52 PM

https://www.youtube.com/watch?v=V0fvQG8RgDg

One of the lesser talked about features that stuck into a recent version of Photoshop is support for colored OpenType fonts. They're hard to find, but easy to install and use. Save 10% on your Squarespace purchase: http://squarespace.com/howardpinsky ColorTube font: http://www.neogrey.com/portfolio/colortube-font/ Additional colored fonts: https://colorfontweek.fontself.com/ Make sure to check out my other Photoshop tutorials. Links below! MORE FROM HOWARD PINSKY: Subscribe!...

Utöka Designs Holiday Gift Inspired By New Brand

December 21, 2017, 03:13 PM

https://www.aotg.com/utoka-designs-holiday-gift-inspired-by-new-brand-2/

This holiday season Utoka’s team of artists collaborated on the concept and production of a practical gift inspired by the young creative agency’s clean, stylized branding – but with a thoughtfully designed, disruptive presentation that breaks through the clutter.

Sigma Celebrates 26 Awards & Honors in 2017

December 21, 2017, 10:10 AM

https://www.aotg.com/sigma-celebrates-26-awards-honors-in-2017/

Sigma Caps off the Year with ‘Prime Lens of the Year’ Honor from DPReview for Its 14mm F1.8 Art Lens and a ‘Digital Video Product Innovation Award’ for Its Cine High-Speed Primes and Zooms

#awards#photography#lenses#cinema lenses#still lenses
The Master of Color Manipulation

December 19, 2017, 06:44 PM

http://www.creativeimpatience.com/the-master-of-co...

I learnt image color correction in several stages. First was of course playing in RGB with scanned pictures. I used shareware Paint Shop Pro back in those days, which at some point was acquired by Corel. And it was cool, levels – or actually auto-levels – was all the buzz, … see more →

How to Create Color-Coded Object IDs With Redshift

December 19, 2017, 12:11 PM

http://lesterbanks.com/2017/12/create-color-coded-...

Adrian Cruceru Shows How to Create Color-Coded Object IDs With Redshift in Autodesk Maya Have hundreds of objects in the scene? Need Object IDs rendered for them? Redshift Rendering Technologies’ Technical Support Specialist, Adrian Cruceru The Post How to Create Color-Coded Object IDs With Redshift originally appeared and published on %%BLOGLINK%,by lesterbanks

DaVinci Resolve 14 Studio Grades Budweiser Spot

December 19, 2017, 08:48 AM

https://www.aotg.com/davinci-resolve-14-studio-grades-budweiser-spot/

Lez Rudge, colorist and head of creative at NYC-based post facility The Helm Creative, a Chimney Group Company, used DaVinci Resolve 14 Studio to grade Budweiser’s “One Last Ride” spot, a tribute and farewell to Dale Earnhardt Jr. toasting his retirement. In addition to a three minute web version, a 30 second spot aired during the broadcast of Earnhardt Jr.’s final NASCAR Cup race on November 26, 2017.

#color grading#post production#color correction#advertising
Quick Tip: Adjust the Color of Water in After Effe

December 19, 2017, 06:44 AM

https://www.premiumbeat.com/blog/adjust-color-wate...

Learn how to easily adjust the color tone of water in your footage using Adobe After Effects. Includes free project file!

Getting Ready for Color in Postproduction

December 16, 2017, 08:29 AM

https://www.hdvideopro.com/blog/getting-ready-for-...

In the last couple of posts, I’ve gone on and on about nesting. I thought I was finished with the topic, but my last post—avoiding trouble when you transfer your project to an audio designer—reminded me of some things you can do to make a grading session easier.

Can you Color Correct if your are Color Blind?

December 12, 2017, 10:05 AM

https://nofilmschool.com/2017/12/can-you-have-colo...

Enchroma glasses have been in the news this year for the exciting fact that they claim to offer increased color spectrum visibility to people with mild forms of color blindness. We decided to put them to the test to see if an editor we know, Ryan Charles, who himself suffers from color blindness, would be able to more effectively color grade projects after using the glasses.

DaVinci Resolve 14 Tips and Tricks

December 12, 2017, 08:06 AM

https://jonnyelwyn.co.uk/film-and-video-editing/da...

In this post I’ve brought together some helpful tips and tricks for colorists working in DaVinci Resolve 14, plus I take a look back at some previous Resolve posts from 2017!

#davinci resolve#tutorials#training#colour grading#tips and tricks
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