To The Aotg.com Community,

It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.

Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.

We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.

Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.

Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.

I look forward to seeing everyone at the various post events worldwide in the coming years!

Yours truly,
Gordon Burkell
Aotg.com Founder

Dartmouth’s Media Production Group Chooses Cineo

November 21, 2017, 12:17 PM

https://www.aotg.com/dartmouths-media-production-group-chooses-cineo/

When the Media Production Group at Dartmouth College built a studio to produce educational content for students, it had the opportunity to custom design the space - from the lighting to a control room. Cineo Lighting, a leader in the production of lighting systems for the motion picture, television and photography industries, quickly made the grade to become the college's lighting choice on set.

#cineo lighting#cineo
URSA Mini 4.6K Used in Three Billboards

November 16, 2017, 08:36 AM

https://www.aotg.com/ursa-mini-4-6k-used-in-three-billboards/

Blackmagic Design has today announced that its URSA Mini 4.6K digital film camera was amongst the camera packages used in the filming of Academy Award winning director Martin McDonagh's latest film, Three Billboards Outside Ebbing, Missouri.

#blackmagic design#davinci resolve#ursa mini
5 Mistakes You Should Avoid When Color Grading

November 15, 2017, 07:58 AM

http://nofilmschool.com/2017/11/watch-5-mistakes-y...

Color grading can be tricky, so try to avoid falling into these common traps.

SGO demonstrates HPA award-winning softwares Misti

November 14, 2017, 06:11 AM

https://www.sgo.es/sgo-demonstrates-hpa-award-winn...

SGO will be showcasing Mistika with exclusive demonstrations on VR, FX, Colour grading and finishing with a special focus on

Color plays big role in director Sean Baker’s Th

November 13, 2017, 02:41 PM

http://postperspective.com/color-plays-big-role-di...

Director Sean Baker is drawing wide praise for his realistic portrait of life on the fringe in America in his new film The Florida Project. Baker applies a light touch to the story of a precocious six-year-old girl living in the shadow of Disney World, giving it the feel of a slice-of-life documentary. Continue reading → November 13, 2017 The post Color plays big role in director Sean Baker’s The Florida Project appeared first on Randi Altman's postPerspective.

Cineo Lighting & NBCUniversal Showcase at LDI 2017

November 7, 2017, 01:23 PM

https://www.aotg.com/cineo-lighting-nbcuniversal-showcase-at-ldi-2017/

Cineo Lighting, a leader in the production of lighting systems for the motion picture, television and broadcast industries, will co-exhibit with NBCUniversal at Live Design International (LDI) 2017 (Booth 2817). The companies will be featuring Cineo's new Standard 410 white and color soft light, as well as the NBCUniversal LightBlade LED lighting system.

#cineo lighting#nbcuniversal
Curso *Color Management*, por Santiago Svirsky y S

November 6, 2017, 02:33 PM

http://saeditores.org/Novedades/Curso-Color-Manage...

La Comisión de Cultura y Desarrollo Profesional de la SAE abre la inscripción a la primera edición del curso Color Management, dictado por Santiago Svirsky y Sebastián Toro -socios adherentes de nuestra asociación- y auspiciado por la ADF (Autores de Fotografía Cinematográfica Argentina). El curso se desarrollará en una única jornada, el sábado 2 de diciembre, de 15 a 20 horas, en Avenida Caseros 574 1º A, Ciudad de Buenos Aires...

"Strays" Color Corrected with DaVinci Resolve

November 6, 2017, 10:50 AM

https://www.aotg.com/strays-color-corrected-with-davinci-resolve/

Blackmagic Design today announced that independent filmmaker Aaron Dunleavy has produced his latest short film, Strays, using the Blackmagic URSA Mini 4.6K digital film camera and DaVinci Resolve for color correction.

#color grading#post production#color correction
FCPX 10.4 Gets Enhanced Color and VR Support

November 2, 2017, 06:58 AM

https://www.videomaker.com/videonews/2017/11/final...

This week, Apple kicked off the third-annual Final Cut Pro X Creative Summit in Cupertino, CA, with the announcement of the Final Cut Pro X version 10.4 and a number of demos that showed off what professional video editors have to look forward to with the new updates.

Wisycom Introduces New Two Channel MPR52-ENG

November 1, 2017, 12:26 PM

https://www.aotg.com/wisycom-introduces-new-two-channel-mpr52-eng/

As designer and builder of the most sophisticated RF solutions for broadcast, film and live production, Wisycom introduces its new MPR52-ENG Dual Diversity Receiver. This addition to Wisycom's wide range of products was designed for professional ENG applications.

#wisycom
1 84 85 86 87 88 282

© 2007-2026 www.aotg.com Ver. 3.0 All Content created and posted by Art of the Guillotine users Art of the Guillotine graphics, logos, designs, page headers, button icons, scripts, and other service names are the trademarks of Art of the Guillotine Inc. Use of this material outside of this site is strictly prohibited.