It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
October 8, 2017, 06:58 AM
http://noamkroll.com/why-color-contrast-is-essenti...
Having color graded countless films over the years in collaboration with other filmmakers, I’ve encountered my share of creative and technical challenges along the way. Of all of them, by far the biggest hurdle to overcome was attempting to re-build color contrast in a scene that simply didn’t have any to begin with.
October 5, 2017, 11:42 AM
https://www.aotg.com/cineo-lighting-shows-new-standard-410-at-wfx-2017/
Cineo Lighting, a leader in the production of lighting systems for the motion picture, television and broadcast industries, will showcase its new Standard 410 (S410) along with several of its innovative lighting solutions for the house of worship market at WFX 2017.
#cineo lightingOctober 4, 2017, 04:27 AM
http://www.cgmeetup.net/home/spectral-colors-in-ho...
Watch shader writer, Mario Marengo, explain spectral wavelength and how to utilize it within Houdini. This presentation was recorded at a Toronto Technical Evening hosted by Side Effects Software.
October 3, 2017, 09:10 AM
http://www.postmagazine.com/Press-Center/Daily-New...
LOS ANGELES — Full-service creative studio Carbon (www.carbonvfx.com) has added Aubrey Woodiwiss as lead colorist/director of color grading. His portfolio includes spots for Dulux, NBA 2K17, Coors, and Honda, as well as music videos, such as Beyonce’s Formation, Jay-Z’s On to the Next One, and the Calvin Harris/Rihanna smash This Is What You Came For.
September 27, 2017, 10:04 AM
https://www.aotg.com/davinci-resolve-grades-uber-vietnam-tvc/
Little Red Ants Creative Studio provided color correction for a new Uber Vietnam television commercial (TVC) using DaVinci Resolve.
#color grading#post production#color correction#tvcSeptember 27, 2017, 08:22 AM
https://www.filmmakingstuff.com/color-grading/
Color grading will give every film you create a unique vibe. At Filthy Look Films, we have been able to leverage our toolbox to create campaigns ranging from a Wrangler Asia-Pacific spot to a music video for artist 360. I believe that having the right tools for the job is vital.
September 27, 2017, 04:41 AM
http://boscpug.org/davinci-resolve-studio-manages-...
DaVinci Resolve Studio has been used throughout production and post production on 20th Century Fox’s “Kingsman: The Golden Circle,” including SDR and HDR delivery.
September 26, 2017, 06:41 AM
https://www.aotg.com/cineo-returns-for-last-man-on-earth-season-4/
When 20th Century Fox Television's breakout success, Last Man on Earth, debuted in 2015, there was a unique need to create sets that authentically depict a post-apocalyptic world in which electricity was nonexistent and the sun was the only source of perceived illumination. Production Designer Bruce Robert and Chief Lighting Technician Oliver Alling found the ideal solution of a balanced, natural-looking spectrum and excellent green screen compatibility with Cineo Lighting fixtures.
#cineo lighting#cineoSeptember 26, 2017, 05:56 AM
https://www.aotg.com/kingsman-uses-davinci-resolve-studio/
DaVinci Resolve Studio has been used throughout production and post production on 20th Century Fox’s “Kingsman: The Golden Circle,” including SDR and HDR delivery. Joshua Callis-Smith was responsible for the onset dailies while the online edit and final DI were completed by Goldcrest Post.
#editing#color grading#dailies#dit#conformSeptember 25, 2017, 04:57 PM
http://postperspective.com/framestore-colorist-edw...
Colorist Edwin Metternich has relocated to Framestore’s new Chicago office, which opened in May, from the company’s London studio. Metternich joined Framestore as a runner in 2007, moving quickly into the color team as an assistant and progressing into grading after only a couple of years. Metternich has worked on a many of projects including Framestore’s first video game VFX job Guitar Hero Live and The Eye for Audi. Continue reading → September 25, 2017 The post Framestore color...
Daniel George McDonald sits down to discuss creating the finale for Cheer Season 2.
Gordon sits down with the editorial team of The Black Lady Sketch Show to discuss their approach to ...
Gordon sits down with Philip to discuss his work with Tyler Perry and his latest film A Madea Homeco...
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