To The Aotg.com Community,
It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
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http://www.prosoundeffects.com/blog/sound-designin...
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Registration for MAX 2017 is Now Open
May 1, 2017, 09:35 AM
http://blogs.adobe.com/creativecloud/registration-...
Fix it in post!
May 1, 2017, 09:33 AM
https://blogs.creativecow.net/blog/14640/fix-it-in...
We've either heard this phrase on location of a film set, or have said this to the crew to stay on schedule during a video production. Historically, the phrase "fix it in post" indicated that there was a problem that the production crew (on set) is handing off to the post-production team in the editorial suite. And historically, the post-production team didn't always welcome this mindset, and the work days became work nights to fix the problems. Those were the days when the on location productio...
NAB 2017: The Future of VR Technology Is Looking B
May 1, 2017, 06:03 AM
https://www.premiumbeat.com/blog/nab-2017-latest-v...
Virtual Reality was big at NAB 2017. Let's check out some of the latest news and biggest announcements in VR.
Laura Bierbrauer recibió el Premio al Mejor Monta
May 1, 2017, 06:03 AM
http://saeditores.org/Novedades/Laura-Bierbrauer-r...
En el marco de la entrega de premios del 19° BAFICI, Laura Bierbrauer, junto a las directoras Sofía Brockenshire y Verena Kuri, recibieron el Premio al Mejor Montaje de Película de la Competencia Oficial Argentina, por la película Una hermana...
Transcript: Digital Production Buzz – April 27,
April 30, 2017, 12:45 PM
http://www.digitalproductionbuzz.com/2017/04/trans...
GUESTS Dan May, President, Blackmagic Design, Inc. Alan Hoff, VP Product Management, Avid Technologies David Walton, Assistant VP, Marketing Communications, JVC Kenwood USA Corporation Jeromy Young, Co-Founder and CEO, Atomos Andy Liebman, Founder and CEO, EditShare James DeRuvo, Film and Technology Reporter, DoddleNEWS The post Transcript: Digital Production Buzz – April 27, 2017 appeared first on Digital Production BuZZ.
GH5 and Premiere Pro Reuniting in June
April 30, 2017, 06:33 AM
https://www.cinema5d.com/gh5-and-premiere-pro-reun...
The 2017.1 Adobe Premiere Pro CC update left many Panasonic GH5 shooters in the dust of incompatibility. We sat down with Adobe Senior Director of Product Management this week at NAB to discuss the remedy, and when we could expect GH5 and Premiere Pro to play nice together again.
6 Free, Cross-Platform Video Editing Applications
April 30, 2017, 06:33 AM
https://www.lifehacker.com.au/2017/04/6-free-cross...
It was once the case that if you wanted to do serious video editing, your choices were limited. Outside of expensive commercial options from the likes of Sony and Adobe, you'd have to make do with Windows Movie Maker... or worse. These days, free options abound. The hardest part is actually picking one.
Mesa en el 19° BAFICI: *Cine en series*
April 30, 2017, 05:29 AM
http://saeditores.org/Novedades/Mesa-en-el-19-BAFI...
El 25 de abril, dentro del Área Profesional del 19º BAFICI, tuvo lugar la charla Cine en series: la edición desde Poliladron a Historia de un Clan, organizada en conjunto por SAE y EDA. Moderada por Martina Seminara (EDA), la charla estuvo a cargo de Alejandro Alem (SAE) y Guillermo Gatti (EDA)...
PREMIO A “MEJOR MONTAJE” DE LA COMPETENCIA ARG
April 30, 2017, 05:28 AM
https://edaeditores.org/premio-a-mejor-montaje-de-...
Dentro del macro del 19 BAFICI, Buenos Aires Festival Internacional de Cine Independiente y por tercer año consecutivo EDA y SAE otorgaron el Premio al Mejor Montaje de película Argentina en competencia. La película ganadora fue Una hermana. Editada por Laura Bierbrauer, Sofía Brockenshire y Verena Kuri. Una película con una estructura narrativa no lineal y sensorial, en la […]
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