To The Aotg.com Community,
It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
Cutting Ocasio Cortez Before Her Fame...
January 29, 2019, 01:53 PM
https://nofilmschool.com/sundance-editor-alexandri...
How do you edit a film about a public sensation before she’s become one? And how do you edit the story of four different women running for office, without knowing if any of them will win? Robin Blotnick knows the answer, and it involves organization, a ton of scene cards, and imaginative problem-solving when it comes to envisioning the future.
Memory - The Origins of Alien (Sundance 2019 Revie
January 29, 2019, 01:53 PM
https://www.cinema5d.com/memory-origins-alien-sund...
Memory – The Origins of Alien, premiering in the Midnight Category at Sundance 2019, follows the making of the science fiction classic: Alien. I caught the screening on a Friday morning… admittedly not midnight… more of a brunch showing. The film is a deep dive into the pace, imagery, cinematography, script and THAT ONE SCENE where the creature buys a one way ticket to Bloodville via the Chest Cavity Express. Here’s a glimpse at the doc that aims to reveal what made Alien a gooey, light ...
When someones tries to explain a computer problem
January 29, 2019, 01:28 PM
http://renderplease.tumblr.com/post/182400496625
Red Giant Universe 3.0 is Here
January 29, 2019, 12:26 PM
https://www.aotg.com/red-giant-universe-3-0-is-here-2/
Universe 3.0 boasts a powerful new Dashboard that makes it simple to explore and apply effects and presets in Adobe Premiere Pro and After Effects; plus five new text generation effects, presets for every tool, and the option to save your own presets
#after effects#red giant#premiere pro#motion graphics#universe#text effectsTop Sundance Films Created With Blackmagic Design
January 29, 2019, 11:42 AM
https://www.aotg.com/top-sundance-films-created-with-blackmagic-design/
Blackmagic Design today announced that more than 35 films, episodic series and projects at the 2019 Sundance Film Festival were shot and completed using Blackmagic Design products.
#blackmagic design#fusion studio#davinci resolve studioSurprising Anti-racist Short Movie Edited with Fin
January 29, 2019, 10:07 AM
http://www.fcp.co/final-cut-pro/articles/2144-surp...
A year on from Oscar winning film The Silent Child, another FCPX edited entry called Skin is in the last nominees for the 2019 best live action short film. Ronny Courtens spent time with the editor, Yuval Orr.
How to Automatically Sync Audio Across Comps
January 29, 2019, 10:07 AM
https://lesterbanks.com/2019/01/automatically-sync...
Emanuele Colombo shares an easy way to sync audio automatically across various compositions in After Effects. Comps and nested comps are a great way to organize and work more smartly in After Effects. When you
How to Travel in Time
January 29, 2019, 10:07 AM
https://cuttingroomtales.wordpress.com/2019/01/29/...
The Art of the Flashback Flashbacks are on my mind at the moment. I’m currently working on two feature projects – one as writer, the other as editor – which are structured around multiple time periods, so my brain has got well-used to jumping around in time. Flashbacks are pretty common these days, but … Continue reading →
Pointers for Final Cut Pro X
January 29, 2019, 10:07 AM
https://fxfactory.com/blog/effects-2/pointers-for-...
Animated pointers, pins, indicators and markers with automatic object tracking.
Aquaman VFX Supervisors Interview
January 29, 2019, 10:07 AM
https://www.artofvfx.com/aquaman-josh-simmonds-cra...
With over 25 years of experience, Josh Simmonds has worked on many films such as AUSTRALIA, DON’T BE AFRAID OF THE DARK, HAPPY FEET TWO and MAD MAX: FURY ROAD. As a VFX supervisor, he took care of the effects of films like THE BOY, UNDERWORLD: BLOOD WARS, A-X-L and THE BALLAD OF BUSTER SCRUGGS.
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Editing The Black Lady Sketch Show
Gordon sits down with the editorial team of The Black Lady Sketch Show to discuss their approach to ...
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Philip White on Crafting A Madea Homecoming's Music
Gordon sits down with Philip to discuss his work with Tyler Perry and his latest film A Madea Homeco...
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