To The Aotg.com Community,

It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.

Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.

We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.

Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.

Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.

I look forward to seeing everyone at the various post events worldwide in the coming years!

Yours truly,
Gordon Burkell
Aotg.com Founder

Here is a Better Way to Wiggle Color in After Effe

September 12, 2016, 09:17 AM

http://lesterbanks.com/2016/09/better-way-wiggle-c...

The Wiggle Expression in After Effects is one that gets used a lot, and why not. It is really simple to use, and offers a great and inexpensive way to add natural motion, or to ad visual interest to an element. I find that when people learn to wiggle, it gets tried out everywhere — The Post Here is a Better Way to Wiggle Color in After Effects originally appeared and published on %%BLOGLINK%,by lesterbanks

Blackmagic Design Announces DaVinci Resolve 12.5.2

September 12, 2016, 04:42 AM

https://www.digimediapros.com/blackmagic-design-an...

Blackmagic Design has released the next version of DaVinci Resolve bringing the latest to version 12.5.2. The new version has support for URSA Mini camera metadata, colour space tags on Quicktime as well Fusion Connect.

Blackmagic Design Announces DaVinci Resolve 12.5.2

September 9, 2016, 08:17 AM

https://www.aotg.com/blackmagic-design-announces-davinci-resolve-12-5-2-2/

Blackmagic Design today announced a new DaVinci Resolve 12.5.2 update for its professional editing and color correction software. DaVinci Resolve 12.5.2 features support for additional URSA Mini camera metadata, color space tags on QuickTime export, Fusion Connect for Linux, advanced filtering options and more. DaVinci Resolve 12.5.2 update is available now for both DaVinci Resolve and DaVinci Resolve Studio customers, and can be downloaded free of charge from the Blackmagic Design website.

#editing#blackmagic design#davinci resolve#color correction#ibc
Blackmagic Design Announces New DeckLink Mini 4K

September 9, 2016, 08:12 AM

https://www.aotg.com/blackmagic-design-announces-new-decklink-mini-4k/

Blackmagic Design today announced new DeckLink Mini Monitor 4K and DeckLink Mini Recorder 4K PCIe capture cards that include all the powerful features of the HD models but include new Ultra HD and HDR (high dynamic range) features.

#blackmagic design#ibc#decklink#decklink mini monitor 4k#decklink mini recorder 4k
Learn How to Use Vectorscopes in Under 3 Min.

September 9, 2016, 05:39 AM

http://nofilmschool.com/2016/09/learn-how-use-vect...

When you're shooting a scene, especially now in the digital age, your monitor shows you the images you're capturing in real time—or at least it should. Unfortunately, monitors have their limitations, from poor calibration to subpar color gamut, which is why knowing your way around a vectorscope is so important. In this video, Ted Sim of Aputure explains what a vectorscope is, how to use one, as well as when they're most useful.

Advanced DaVinci Resolve Colorist Training

September 9, 2016, 04:29 AM

http://jonnyelwyn.co.uk/film-video-editing-tools-f...

Check out my 2500+ in-depth review of Mixing Light.com's DaVinci Resolve Deep Insights and see if it's the advanced colorist training you need to take your grading skill set and career to the next level...

#davinci resolve#colour grading#colorist training#advanced colour grading training
Colorist Mixer at IBC, September 10th

September 6, 2016, 09:12 AM

http://www.creativeplanetnetwork.com/news/post/col...

International Colorist Academy, TaoOfColor.com, and MixingLight.com present the third IBC Colorist Mixer on Saturday, September 10th from 7:00 PM - 11:30 PM.

Color Grading Inspiration: Movie Barcodes and Colo

September 2, 2016, 02:31 PM

http://www.premiumbeat.com/blog/film-color-palette...

These color charts break down popular movie scenes and a film's overall color composition. Find inspiration for you color grading projects.

August Tool: Color Control

September 1, 2016, 12:27 PM

http://morganloomis.com/2016/august-tool-color-con...

This month’s tool compliments last month. In a recent Maya update Autodesk added support for coloring curves with RGB values, rather than the limited color index. This tool is an interface for coloring a range of controls while gradually changing the color as it goes along. This can be nice for long tails or tentacles which have lots of consecutive controls.

Advanced Color Grading in Lumetri

August 28, 2016, 05:56 AM

https://www.aotg.com/advanced-color-grading-in-lumetri/

In this tutorial, I'll show you some tips for stacking corrections and working smarter while doing some advanced color grading in the Lumetri Color panel in Premiere CC 2015.3

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