It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
August 26, 2016, 04:53 AM
http://jonnyelwyn.co.uk/film-and-video-editing/col...
Learn how to set up and customise the new Tangent Ripple in DaVinci Resolve, Adobe Premiere Pro, FCPX. Plus check out early user reviews for more insights and tips!
#colour grading#tangent rippleAugust 24, 2016, 09:27 AM
http://www.videoguys.com/blog/take-control-color-c...
With a powerful set of tools in an easy-to-use interface, ColorFast 2 gives you all the control you need. In this short tutorial, we’ll show you how to correct white balance, preserve skin tones and more with NewBlueFX ColorFast 2. Now through August 31st, get the all-new ColorFast 2 for only $89 or completely FREE Read More The post Take Control of Your Color Correction with ColorFast2 appeared first on Videoguys Blog.
August 24, 2016, 06:03 AM
https://www.aotg.com/improving-performance-in-resolve/
In this episode of DaVinci Resolve in (slightly over) 5 Minutes, Alexis Van Hurkman shows you which settings to choose in DaVinci Resolve to maximize editing performance on slower computers.
August 23, 2016, 06:40 AM
http://www.premiumbeat.com/blog/evolving-role-colo...
What is a digital colorist? What are they responsible for? Let's take a look at the ever-changing duties of colorists in film and video production.
August 23, 2016, 06:38 AM
https://lowepost.com/casestudies/mad-max-fury-road...
came on board with the production in early 2014, and I met with George Miller, the director, and talked about what the look could be like. It was amazing to get such an open brief which was essentially "it should be saturated and graphic, and the night scenes should be blue". The main reason for this is quite interesting. George has been watching 30 years of other post-apocalyptic films and noticed that they all use the same bleached and de-saturated look. We knew we didn't want to make yet anot...
August 22, 2016, 12:20 PM
http://www.postmagazine.com/Press-Center/Daily-New...
FREMONT, CA — Blackmagic Design has released an update for its DaVinci Resolve editing and color correction software. Version 12.5.1 features support for Apple ProRes decode on Windows, ResolveFX enhancements and additional editing and color improvements.
August 22, 2016, 12:19 PM
https://fstoppers.com/education/does-color-film-ha...
It's been going on for decades. Film chemicals that coat the film and react with the various colors coming through the lens weren't made to cope with a diverse set of skin tones.
August 19, 2016, 03:27 PM
http://www.studiodaily.com/2016/08/7-reasons-why-a...
The technology and engineering behind ACES, the open-source Academy Color Encoding System, may be complex but the idea is simple: bring footage from multiple high-resolution cameras and camera types on a single shoot, or across a variety of shoots, into the same … more » The post 7 Reasons Why ACES Color Science Is Changing the Grade appeared first on Studio Daily.
August 19, 2016, 05:27 AM
http://www.broadcastbeat.com/filmlight-expands-cre...
More leading facilities in China adopt Baselight; new functionality and products complete end-to-end finishing workflow LONDON — 19 August 2016: As China increases its professional post-production market sector, growing rapidly with content creation and adopting sophisticated workflows, FilmLight is planning a major presence at BIRTV 2016 (stand 8B21, 24–27 August, China International Exhibition Centre, Beijing). As ...
August 15, 2016, 05:32 AM
http://www.digimediapros.com/blackmagic-released-d...
Blackmagic Design has released version 12.5.1 for DaVinci Resolve Studio and DaVinci Resolve for every supported platform. Continue reading to learn more.
Daniel George McDonald sits down to discuss creating the finale for Cheer Season 2.
Gordon sits down with the editorial team of The Black Lady Sketch Show to discuss their approach to ...
Gordon sits down with Philip to discuss his work with Tyler Perry and his latest film A Madea Homeco...
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